This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.

A collective exploration of sound, music and the socio-political dimensions of listening, from researchers and artists with perspectives from the global South.

In this prophetic 1978 essay, legendary science fiction author Philip K. Dick explores the nature of reality, the power of media, and the authenticity of human experience, offering startling insights that resonate eerily with our modern world.

A philosopher's journey into the heart of New York artistic life.

First monograph, documenting the filmmaker's work as a whole, at the intersection of independent cinema, contemporary art, photography and installation.

76 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists, published by e-flux between April–May 2024, arranged into 11 thematic chapters—ranging from the live question of cultural censorship through to the role of diagrams and notation in contemporary artistic practice.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Garrett Bradley, Maija Peeples-Bright, Tarik Kiswanson, Matthew Barney, Charles Atlas, Tracey Emin...

Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.

Ingo Giezendanner's wild herbarium.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Artist's book.

The first album of this new digital-drone-rock-noise/ambient/electronica project created by two founding members of Tone Rec and DAT Politics (Claude Pailliot - Gaetan Collet). Inspirational collision of motorik avant rock and heavy electronics.

The second release by Stefan Prins on Sub Rosa brings together four recent, large-scale compositions in which traditional instruments—from bass woodwind trio to electric guitar and symphonic orchestra—merge seamlessly with electronics, feedback, and field recordings.

Winter Family's 4th album, beautiful and haunting, tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

Winter Family's 4th album, beautiful and haunting, tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

Issue 38 of the magazine of the Palais de Tokyo calls upon ancestries, be they intimate or political, transgenerational and historical, human or more-than-human, symbolic or material.

The nine printed issues of the Urbane Künste Ruhr Magazine from 2019 to 2023 create an experimental publication in bound form that documents the institution's projects over the entire period.

Focusing on Lenke Rothman's unique, conceptual approach to her working materials, this publication presents selected parts of her extensive production, including paintings, drawings, installations, books, sculptures, objects and textiles.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

The new volume of an experimental series on historiography, about toys.

A lyrical portrait of Lebanon through the poetry of 60 native women authors.

A richly illustrated book presenting the artistic work and personal stories of cutting-edge fashion designers and artists from Morocco and the Moroccan diaspora in the Netherlands.

Film Undone presents contributions introducing unmade and unfinished film projects, film ideas realised in non-filmic media, as well as films that remained unseen in their intended form and at their intended time.

An edition like an archaeology of our more or less contemporary iconography of bread. A lacunary and subjective encyclopedia that reflects its presence in our lives and its political, social, economic, and aesthetic evolutions (artist's book).

Centered around the themes of latent knowledges, earth uprisings and borders, this second volume in the Radical Rituals series is the result of a research residency carried by forty five degrees collective in the summer of 2022 across France, from 45°N 1°W to 45°N 7°E.

An exploration of the various paths of ecodesign, from material environments to our imaginations, from concern for uses to new narratives.

Retrospective monograph.

The 46th issue of the critical graphic design journal is devoted to the Zurich-based graphic design studio Norm.

First monograph.

30 artists and 10 authors talk about water.

The diary of the Korean-born artist based in France.

A new collection of writings by the composer and mathematician Spencer Gerhardt, considering among other topics the rich points of contact between minimalist musical aesthetics and intuitionistic mathematics.

A drawn chronicle of sleepless nights, Vigil brings together over one hundred and sixty drawings by the artist.

Canadian experimental artist Mark Templeton revisits and revives his sound archives with Andrew Pekler.

This volume brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.

Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last five years.

The second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music.

Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg.

Crys Cole's third solo release for the Black Truffle label, Making Conversation documents a different facet of her work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

A collection of the artist's writings from 2019 to 2024.

Journalist Olivier Namias and photographer Luc Boegly combine their views of the work carried out between 1970 and 2008 by architect Jean-Patrick Fortin (a villa, a pharmacy and a townhouse) in the Italian commune of Caprino Veronese.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

The second album by the duo So Sner, composed of Susanna Gartmayer (bass clarinet) and Stefan Schneider (electronics), both stylistically cohesive and daringly uncompromising.

How AI can be used in the creative process in art and design.

This book recounts Jean-Jacques Lebel's long and tumultuous passage through the powerful laboratory of ideas and experiments of surrealism that was the journal Front Unique (1955-1960), which heralded and sometimes prefigured his future protean activities in the fields of art, poetry and militancy (anticolonial and libertarian).

An epistemological reflection on sensitive forms of research writing at the crossroads of art, design, anthropology and ergonomics, based on singular inquiry-creation projects.