This publication chronicles the aspirations, methods, and projects of the first four years of Public Design Support—a joint venture between Goethe Institute's Urban Incubator and Hamburg University of Fine Arts established to offer free practical support to urban residents. It includes key project materials, scholarly essays, and significant historical texts.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists that emerged in the late 1960s and 1970s. Welchman poses thoughtful and provocative questions about how artists receive and negotiate the social and aesthetic histories through which they live and work.

Eva Grubinger's catatogue Black Diamond Bay explores the idea of psychological landscapes—a physical or mental journey—that evokes ideas of escapism and the search for the self.

Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Issue #10 of Bulletins of The Serving Library comes back with a new formula and draws up an overall review of previous issues.

Felicity D. Scott reconsiders the learnings of Bernard Rudofsky on vernacular architecture in the light of his relation with Japan.

Barthélémy Toguo's address to the African Ministers of Culture for a better recognition of art and African artists on the Continent, with an original artwork signed by the artist.

L'écho / ce qui sépare documents a personal and collective exhibition commissioned by Bruno Peinado where young artists were invited by Peinado to display their works with his own, thus reflecting the notions of space and network within the art field.

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

Zbigniew Karkowski's last recording, in Sweden, November 2013—a few weeks before his death—accompanied by musicians Jean-Louis Huhta and Lars Akerlund.

This book is an overview of the exhibition program of Bart van der Heide from 2010-2015, which he realised as the director of Kunstverein München. Each exhibition is presented by a corresponding booklet, containing all texts and images (with Silke Otto-Knapp, Tobias Madison, Keren Cytter, Willem de Rooij, Richard Tuttle, Simon Denny, Rebecca Warren...).

A visual journey through ten years of Denis Savary's exhibitions (first-ever retrospective catalogue).

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

A sound collage of night time ambiances from Guiana (France), focusing on the calls of amphibians.

Shanghai special issue.

Special Beatles Studies issue.

Fourth issue of magazine / fanzine Jungle Juice, featuring an interview with Xanaé Bove about her film Ex-TAZ Citizen Ca$h, textual experiments by Benoît Toqué and Yoshi, cover illustrations by Régis Glaas-Togawa and Julien Lombardi…

Filmmaker and writer Alexander Kluge combines fiction and reality to deliver one of the most striking testimonies that have been written about the bombing of German cities by the Allies.

Artistic and literary creations on the theme “cyborgs and robots.”

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

A reflection on paper as a creative space (exhibition catalogue based on Frac Réunion's collection).

An issue all about the end (with a sociological investigation by Bertrand Vidal into survivalism).

The ambition of design and its limits

The concept of time in art history.

New monograph.

First monograph.

The theatrical writings of post-anthropocentric “disfigurement” and the reinvention of expressive means of contemporary philosophy.

An historical and ethnographic investigation into the popular origin and environment of Cubist innovations.

Through 650 images drawn from the French National Institute for typographic research unpublished archives, this catalogue tells the untold story of a period of profound technological change, exploring the little-known world of typography design through a diverse selection of projects drawing on both an age-old craft tradition and the most radical innovation.

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

John Stezaker's artist's book: a series of collages with found images—resorting stylistically to Hollywood's golden era—which find a new life on these pages, as much as a new meaning, if not aura.

Canadian native art today

A luxurious artist book by Michael Manning gathering a selection of 100 digital drawings, each from four distinct series of paintings.

Collection of 10 texts to explore the tense poetry of Amandine André. With a foreword by Michel Surya.

Collection of poems by Dutch poet and communist activist Herman Gorter, key figure of modern poetry in the Netherlands who inspired generations of poets including 1950's avant-garde authors.

Collection of poems gathering texts on similar subjects, such as the unknown, violence and war, technology and information, phylogeny and the ontogenesis.

An encounter between ethnology and literature.

Four literary chronicles examining lives within the globalized world and its monetary system.

A collection of texts by philosopher and essayist Gilles A. Tiberghien devoted to landscapes and gardens (new expanded edition).

Contribution to a critical theory of artwork's economy and poièsis.

Our computers' artistic taste, Anri Sala's show at New Museum, re-opening the Louvre after the Paris attacks, Neïl Beloufa on world domination and in-flight entertainment systems, the future of Brooklyn and the dangers of sawdust, Chantal Akerman's rent-controlled Manhattan, the curatorial skills of Brazil's tax police, reviews from New York, Oslo, and Warsaw, a portfolio by Mathieu K. Abonnenc...

Robert Longo, Vanessa Beecroft and Katy Grannan on the notion of “superimages”, cult magazine Colors, Neïl Beloufa, Isa Genzken, Louisa Gagliardi, Jon Rafman, Josh Kolbo, Gaea Woods, interviews with curator Pierre Bal-Blanc, design studio Vier5, Isabelle Graw, and the Printed Matter team, the social role of art, sexual politics, Carson Chan in conversation with Nik Kosmas, Matt Copson, Kenny Scharf, Sylvie Fleury, a collectable poster of David Bowie by Scott King...

Since its inception, Spike Art Quarterly stands for independent, critical reporting on the arts, and provides the current cultural debates with emerging artists and leading writers. Thisissue looks for political alternatives and resistance into the art world, and includes discussions between Claire Fontaine's Fulvia Carnevale, Rory Rowan, Constant Dullaart & Toke Lykkeberg, portraits of Tobias Madison, Barbara Kruger and Omer Fast, an interview with Armen Avanessian, Liam Gillick on the British documentary filmmaker Adam Curtis, Chus Martínez on the role of art in generating new cultural forms...

Since 1993 Victor Burgin has produced projection works, in video or digital form. These works, like all his production since the early 1970s, include a substantial textual component which this book offers for appreciation independently of the images.

A portrait of painter Max Schoendorff through a long-lenght interview, a collection of writings and paintings, and a sketchbook.

A complete documentation on Marnie Weber's first feature film, a strange kind of carnival that emerges from the American cultural repressed.

Essays about the work of Victor Burgin.