Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.

Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.

The last volume of the journal of political activist Jann-Marc Rouillan after his prison release.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

New formula of the French multidisciplinary cultural magazine.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

Katja Eydel's photographic body of work.

Catalogue.

Reference monograph.

The third issue in the Poetic Series takes its title Fear of Language from the work of emerging Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from Eileen Myles's forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij.

At the same time an artist's book and a brief historical investigation, Thomas Huber's The Shop Sign reports the birth of a painting, relates the fate of another one, and questions the art market, the transit of works of art and the links between artists, dealers and collectors, all the while Huber plays with interpictoriality the way others would use intertextuality.

Artist's book.

First monograph.

A both ambivalent and poetic narrative written by Canadian author and artist Simon Brown.

The photography book Kracauer. Photographic Archive is a collection of previously unpublished photographic material from the estate of the sociologist, philosopher, journalist and film and photograph theorist Siegfried Kracauer.

Rashad Becker, Catherine Lamb, video in performing Arts, Festival Sonorités, what is normal music?, Cie Ouïe/Dire, a history of musical destructions by Matthieu Saladin...

A survey of the Scottish painter's most recent body of work.

Based on a travelling exhibition, this small monograph includes an essay by Alex Farquharson, a conversation with Adam Szymczyk, and an essay by Harry Burke.

A collaborative artist's book with Véronique Verstraete and eight associated authors.

A film by Gilles Coudert that takes a close look at Ange Leccia's work, interweaving the exploration of Leccia's exhibition “Logical Song” (2013) at the MAC/VAL – Val-de-Marne Contemporary Art Museum with perspectives from a series of interviews (with 3 films by the artist).

Catalogue.

Catalogue / artist's book.

Reference monograph.

First monograph.

New monograph.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

This LP edition is an attempt at collecting various elements of Hans Rudolf Zeller's work. All recordings have been made within the last 10 years, yet many of the underlying concepts date back to the 1960s or 1970s.

Artist's book based on a complex project linking Vernasca, Ethiopia and Jamaica according to two points of view, placing certain critical moments in Italy's colonial history in relation to the symbolism of Rastafarian tradition.

Marc Brunier-Mestas' engravings portray a dark universe where death lurks on each scenes. Skeletons lead a macabre dance in a gloomy yet erotic and sometimes jocular atmosphere.

This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.

Third volume of the anthology (1975-2000), focusing on photography, film, video, and new media.

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

Czech artists of the 1960s–1970s.

Two documents and three articles: unpublished texts by Charles Fourier and Eugène Pottier; Georges Orsoni, Denis Andro, and Michel Antony address original perspectives on Fourierism and the spirit of utopia in general.

Limited edition (20 copies) of Roberto Cuoghi's artist book, accompanied by an offset printing in colors + selective varnish laminated on Dibond (27 x 40 cm), numbered and signed by the artist.

An adventure exploring drifts in translation (artist's book).

A reflection on translation phenomena in the arts.

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

Philippe Lacoue-Labarthe and Jean-Luc Nancy readers of Maurice Blanchot, Blanchot's political trajectory, Emmanuel Levinas' unpublished letter to Maurice Blanchot...

Video art history.

Peter Hutchinson's writings.

Reference monograph / catalogue raisonné.

New design monograph: the studio's 10th anniversary publication "Out of the Ordinary," lavishly illustrated, elucidates the design philosophy of Studio Wieki Somers.

Comprehensive monograph: a focused look at the artist's graphic work from 1964 to 2004.

A collection of Philipp Keel's works on paper – drawings, watercolors, collages and silkscreen prints (2002-2014).

The tenth volume in the Solution series edited by Ingo Niermann: a speculative novel that accompanies “Friday in Venice,” a transmedia storytelling project about a possible Europe.

Interviews with Fabrice Hyber, Tadashi Kawamata, Anne & Patrick Poirier, Daniel Buren, Miguel Chevalier, Marie-Ange Guilleminot, Jean-Marc Chapoulie, Kimsooja, François Ede, Guy Lelong, Hans-Walter Müller and Francesco Careri.

A book about a fictional architecture office in a modernist social housing complex in Brussels, where real architects and locals worked together to make scale models: a reflection on scale models as spaces of negotiation, on maquettes as places where the desire of the architect is visible without the compromises of reality.