A text by Rabascall on the relationship between real, pictorial and TV landscapes, whose layout refers to media imagery on which Spanish artist has worked for over thirty years. This limited edition features an original and unique artwork for each copy signed by the artist, a silkscreen print enhanced with collages and vegetal elements.

A text by Rabascall on the relationship between real, pictorial and TV landscapes, whose layout refers to media imagery on which Spanish artist has worked for over thirty years.

One of the two box sets of the HYPER TROPHY project.

One of the two box sets of the HYPER TROPHY project.

Soundtrack for an exotic elevator, innocent muzak, only a priori, an orchestra with sequins and cheap junk (the soundtrack of Pierre Beloüin's eponymous installation).

An iconoclastic recipe book combining body and mind, savagery and eroticism, pleasure of the senses and black humor. With an afterword by Rudy Ricciotti.

A science-fiction story telling the rise and fall of a fantasized totalitarian global state.

The catalogue of the annual contemporary art festival in Toulouse: 20th edition is placed under the sign of performance.

The militant essay by poet, theoretician, critic and translator Haroldo de Campos on one of the most radical members of the Brazilian avant-gardes of the 1920's: a key contribution to the critical rehabilitation of a work that has strongly influenced Concrete Poetry in Brazil, as well as many poetical adventures of Western modernity.

A critical anthology (texts and interviews on/with Christian Boltanski, Michelangelo Pistoletto, Paul McCarthy, Douglas Gordon, Glenn Ligon, Pipilotti Rist, John Baldessari, Florence Lazar, Bruce Nauman, Bruno Peinado, Michel Kireger, Delphine Reist, Karina Bisch, Guy de Cointet, Larry Bell...).

A collection of texts examining issues and practices of documentation in contemporary visual arts.

An anthology of texts by philosophers, theoricians and art historians (H. Belting, H. Bredekamp, G. Didi-Huberman, E. Coccia, J.-L. Nancy, W.J.T. Mitchell...) around the specific logic of the image and the transformation of the contemporary visual field.

The first monographic book of the Belgium interdisciplinary art studio for architecture and urbanism LAb[au].

The story of the surrealists' radical anticolonialism: a political, aesthetic and poetic avant-garde.

An history of illuminated manuscript from its origins, in the early Christian era, until the Renaissance, through the study of the book opening medium.

12 essays about the comedic in art.

The Beijing report: a portrait of a changing situation and unique generation of cultural producers in China today.

Photographic portrait of the near surroundings of Ruhrschnellweg, freeway 40 in Bochum, Dükerweg with allotments, car tuning, cemetery, Burger King, noise barrier and fire station.

When French politics and the history of rock'n roll collide: a both irreverent and joyful text by Cyrille Martinez.

Reference monograph devoted to a radical pictorial work closer to the subject that is simultaneously a reflection on the photographic practice itself: all series of photographs of objects since 1989 (guitar amps, safes, tables listing, writing desks, lithographic stones, electrical panels, canvas versos...), with two essays.

An anthology exploring the possibilities of documenting time-based works.

Artist's book: a photographic study about how we build dream through architecture.

The body of the State (artist's book).

Artist's book.

A film about a series of interventions in public space by Betty Bui, Daniel Buren, Jace, Tadashi Kawamata and Louis Pavageau, accompanied by a booklet documenting a symposium about art in public space.

From Picabia's unpublished love letters to a philosophical and aesthetic inquiry on art, through Goethe, Schlegel, Hegel, or Baudelaire.

“Metal Machine Theory” par Mattin / chroniques / Tenko / The Amine ß Ring / L'interaction par et pour tous, Perrine Maurin / Mazen Kerbaj / Max-Msp#1.1.1.3 / disques / concerts / infos / index.

Second issue of the art history magazine published by the Mamco, Geneva.

A sound and visual construction between two static shots on the axis of a street lined with bungalows: the crossroads of a busy street, with trucks and cars; the main street of an average city in North America, the immersion of the camera into the highway flows...

A static shot of a railroad bridge with a suburban train in one way then another, evoking the positioning in space and the passage of time.

The camera explores a port area and progresses along the sand or gravel mounds, between two static shots on a double drawbridge downtown. A film about the juxtaposition, separation and collection of elements.

The camera follows the walls of a warehouse and pauses before each closed opening, producing a series of "paintings" that punctuate shots of the city, its organization and flow.

A sound, linguistic and visual composition unfolds from a meeting room located in the heights of a skyscraper at La Défense in Paris. A film about the inside/outside relationship, the built environment as the natural environment for men.

Three buildings beside water, a map of a North American city, the flow of a highway with distant hills in the background, a slow passage on a suspension bridge towards a business center: a film about the passage of time and displacement.

A few piano chords on warehouses shots where human presence is discreet. A film about economy, its organization and its laws, the prima of the structure on what animates it.

Publication bringing together a series of self-portraits inspired by the expressive vocabulary of the mask. The photographs showcase a multiplicity of feelings contradicted by paradoxical captions.

30 copies limited edition accompanied by a signed color photographic print of Molinier's fetish doll by Philippe Bonan.

A set of texts written by Salomone according to his artistic protocol: an unclassifiable literary work which extends a visual production, as a specific dimension of artistic representation.

Alessandro de Francesco's poetic approach aims to redefine and surpass discursive obstacles born out of our cognition, our emotions, and the political and media systems.

This publication is part of a series of books in which writers are invited to create a narrative based on an artwork held at the Frac Aquitaine in France. For his fiction, Daniel Foucard has chosen two works, Claude Lévêque's Sans titre and Reena Spaulings's Untitled (Smal Flag 3).

Prose poetry work by Italian writer and artist Giulio Marzaioli.

This publication is part of a series of books in which writers are invited to create a narrative based on an artwork held at the Frac Aquitaine in France. This text by French playwright Noëlle Renaude relies on a series of works by Roman Opalka investigating the notion of temporality.

The 4th issue of May makes an atypical choice by publishing a very large section of archival material coming from what is called the“feminist nebula” in Italy in the 1970s. Beyond their great historical, aesthetic and literary value, these documents contribute to the line of thinking pursued by the magazine to re-posit the terms of a social critique in relation to the critique of present-day artistic production.

Frog gets a makeover for its fifth anniversary, in the form of a 300 pages book: 24 exhibitions reviews, 6 interviews, a new section devoted to architecture, a dozen exhibitions in pictures, some artists special projects, and the chronicles.

Mapping Boetti's work.

Reference monograph.

Including newly commissioned essays, this reference monograph attempts to remap Miller's entire oeuvre by articulating its development through various series, media, and aesthetic strategies.

Reference monograph.