A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

A seminal exploration into screens' crucial functions and profound impact on human culture.

Archivio n°11 offers an international overview of technology archives, divided into three sections—Stories, Institutions, and Collectors & Collectives.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.

As part of a series of publications on singular architectural bodies of work, this volume highlights Pierre Lajus' pioneering hedonistic wooden constructions of the 1970s, and gives his work its rightful place in the history of architectural experimentation.

First English edition of the visionary play by German playwright and communist activist Berta Lask (1878-1967).

Architect Mark Lee presents a body of work on the basis of five considerations: on history, on cadence, on autonomy, on America, and on point.

A sensitive and critical examination of the relationship between photography and ecology.

Recorded live at Amsterdam's Oude Kerk during the 2025 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).

Lee "Scratch" Perry's photographic works and writings, inventoried in the Black Ark studio in Kingston, one of the cradles of reggae and dub.

A major study in art history in which Sophie Leclercq, drawing on and analyzing multiple sources, texts, and visual documents, sheds light on a blind spot in French colonialism: how, between 1870 and 1960, children were taught about colonial conquest through edifying imagery, and how their view of colonized populations was shaped?

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A vast collection of Ettore Sottsass's writings, edited by design historian Emanuele Quinz.

A groundbreaking study on Wassily Kandinsky's relationship with the photographic image.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

Leading contemporary artists and thinkers elaborate on how our increasingly networked societies are shaping—and shaped by—exchanges among people and machines.

The third of three projects to engage the resource industries of Vancouver Island, this publication responds to oceanic environments through contemporary art and writing.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

Karenna Gore posits a future for the design practices that works within the living and intelligent design of Earth.

An account of the relationships between biology (as education, research, institutions etc.) and capital (in such forms as research grants, industries & corporations).

Invited by Mara Hoberman, a group of artists from both sides of the Atlantic share their views on Joan Mitchell's work.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

A collection of essays about the end of the world and its representation in XXI-century culture / a manifesto for the imagination of another relationship with the end.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

How plants shape space, knowledge, and hierarchies across historical, ecological, and epistemic terrains.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory over a period of fifteen years.