Though published during his lifetime, Walter Benjamin's dream notes and theoretical reflections on dreams are collected here for the first time in a single volume.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

Outta Love documents Angela Brandys's new series of large-scale textile works, conceived in 2024–25 and made from her own wardrobe—designer clothing torn apart, reduced to their baseline fabric, and reassembled into images drawn from the Renaissance tradition.

Bill Evans / Scott LaFaro / Paul Motian (1959-1961): the story of one of the most original, dazzling and influential trios in jazz history, and of the recording of three legendary albums (new edition).

Featuring numerous previously unpublished photographs and archival documents, this richly illustrated book sheds new light on Marcel Broodthaers’ entire body of work through his little-known photographic practice.

The Brazilian artist Roberto Burle Marx (1909–1994) revolutionized landscape architecture in the first half of the twentieth century by applying design principles from painting and music to nature. He also brought social and ecological questions to the forefront. This catalogue gives a broad audience insight into his interdisciplinary artistic cosmos.

em>The Prodigal Daughter, which earned Alice Ceresa the prestigious Viareggio Prize in 1967, is at once a narrative in rhythmic verse, a feminist pamphlet, a poetic parable, and a philosophical tirade.

In simple yet evocative language, Alice Ceresa reveals the workings of a timeless social reality.

Testing the Waters is a long-form electroacoustic composition unfolding through episodic movements that together trace a sonic dérive.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

An art book by Adama Delphine Fawundu that celebrates life through the female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—who have shaped the artist's cultural and personal history.

The first volume of a new series of art history publications dedicated to the artistic scenes of former Yugoslavia, this publication offers the first comprehensive overview on the life and work of Ivo Gattin (Split, 1926–Zagreb, 1978).

At the intersection of art, technology, and humanitarian inquiry, this book provides insight into Ghost Agency's desire for agency across artistic reasearch, institutions, and civic life in the digital age.

First reference monograph.

A review and extension of Vincent Grange's artistic explorations of queer spaces and cultures.

The Swiss artist and writer studies a place at beetle height.

First monongraph.

A look back at the career and work of Vasıf Kortun, an exhibition curator, author, and educator.

First monograph.

A new approach to Kounellis's work, focusing on the evolution of his painting practice over nearly seven decades.

Reference monograph.

New monograph.

We Lost Control Again surveys the questions raised by the work of artist Rikke Luther between 2015 and 2025, exploring the long-range effects of this era of collapse, and the effect on social orders and the stability of the Earth system.

Mud … and the Earth System explores Rikke Luther's groundbreaking research in Earth system sciences and highlights the challenges of communicating these findings to the public.

An artistic inquiry into "future nostalgia".

Italian photographer Toni Nicolini (1935–2012) captures the very essence of everyday life in 1970s Venice.

Maxiprocesso showcases the first-ever presentation of Maria D. Rapicavoli's complete photographic series of the same name: 360 photographs, one for each of the archival folders that collectively document the largest mafia "Maxi Trial" in history, held in Palermo from 1986 to 1987.

God in Levinas’s philosophy.

Bianka Rolando's first book published in English, Inselbergs is a volume of poetry accompanied by the author's own lithographs, combining word and image to reflect her interdisciplinary practice.

The first in-depth examination of the life and work of the Pakistani feminist artist, activist and pedagogue Lala Rukh (1948-2017).

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Full Rotation brings together texts and images to trace the forces that draw bodies beyond themselves (artist's book).

The first comprehensive and personal look behind the scenes at the architect couple Trix and Robert Haussmann's planning, design and working processes.

The first comprehensive monograph on Nina von Albertini's sculptural jewelry which she began making in the late 1970s after becoming a silversmith and moving from Switzerland to Florence and New York.

An analysis of the processes by which certain seemingly innocuous popular forms of modernity are used to serve fascism, through the example of synchronized dancing, which was imbued with the symbolism of Nazi domination.

Prospective et futurologie, published in 1978 and republished here for the first time, is the first—and still unrivaled—overview of the experimental architectural movements of the 1960s and 1970s: through a reflection on alternative ways of living, Michel Ragon raises the question—more relevant than ever—of how architecture can adapt to the transformations of industrial society in the face of technological advances.

Edited by design historian Emanuele Quinz, this volume brings together for the first time in French some fifty texts written by Ettore Sottsass between 1945 and 2001—essays, columns, and literary narratives—that reveal a constantly evolving philosophy of design.

Globalized popular culture as a starting point for a new way of thinking about art and visual culture.

A fascinating journey through the long history of media before the age of mass media.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

Through an analysis of the social and cultural history of the imperative of "creativity" that now shapes our lives, Andreas Reckwitz examines the paradoxical promises of aesthetic capitalism.

In this second issue, Les Cahiers du Collège international de photographie continues its exploration of contemporary photography—its practices, materialities, and transformations—through a dialogue between theoretical and critical essays, narratives, interviews, portfolios, and original works.

New monograph by the legendary Oscar-winning cinematographer Sir Roger A Deakins, best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve.

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.