Featuring numerous previously unpublished photographs and archival documents, this richly illustrated book sheds new light on Marcel Broodthaers’ entire body of work through his little-known photographic practice.

em>The Prodigal Daughter, which earned Alice Ceresa the prestigious Viareggio Prize in 1967, is at once a narrative in rhythmic verse, a feminist pamphlet, a poetic parable, and a philosophical tirade.

In simple yet evocative language, Alice Ceresa reveals the workings of a timeless social reality.

Testing the Waters is a long-form electroacoustic composition unfolding through episodic movements that together trace a sonic dérive.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

The first volume of a new series of art history publications dedicated to the artistic scenes of former Yugoslavia, this publication offers the first comprehensive overview on the life and work of Ivo Gattin (Split, 1926–Zagreb, 1978).

First reference monograph.

Karenna Gore posits a future for the design practices that works within the living and intelligent design of Earth.

The Swiss artist and writer studies a place at beetle height.

A wide-ranging investigation into the architectural legacy of the rural utopian communities that settled in California in the 1970s.

An artistic inquiry into "future nostalgia".

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

The Photograph Looked Back at Me is a series of prose miniatures, each born from an image the author cannot turn away from: a ghostly plant printed in a book about Chernobyl; a miner's face obscured by smoke, hanging in a Kyiv gallery; a picture of Katja Petrowskaja's parents, from an old family album.

Bianka Rolando's first book published in English, Inselbergs is a volume of poetry accompanied by the author's own lithographs, combining word and image to reflect her interdisciplinary practice.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

The first comprehensive and personal look behind the scenes at the architect couple Trix and Robert Haussmann's planning, design and working processes.

The first comprehensive monograph on Nina von Albertini's sculptural jewelry which she began making in the late 1970s after becoming a silversmith and moving from Switzerland to Florence and New York.

An analysis of the processes by which certain seemingly innocuous popular forms of modernity are used to serve fascism, through the example of synchronized dancing, which was imbued with the symbolism of Nazi domination.

The first book to document the evolution of bio art and the aesthetic development of Eduardo Kac, the creator of the "artist's gene" as well as the controversial glow-in-the-dark, genetically engineered rabbit Alba.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing (new edition).

In this second issue, Les Cahiers du Collège international de photographie continues its exploration of contemporary photography—its practices, materialities, and transformations—through a dialogue between theoretical and critical essays, narratives, interviews, portfolios, and original works.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

The first monograph devoted to the entire multidisciplinary and unclassifiable body of work of French poet, writer, musician, and director F.J. Ossang, spanning more than half a century.

An insect theory of media to understand our media devices and our technological modernity.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.

Philippe Jaffeux explores each letter of the alphabet through experimental poetry, continuing the tradition of the Lettrist movement.

French ceramicist Jacques Monneraud's first monograph, So-Called Reality, covers three years of the artist's practice and focuses on his trompe-l'œil cardboard ceramics.

The first in-depth examination of the life and work of the Pakistani feminist artist, activist and pedagogue Lala Rukh (1948-2017).

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today (new expanded edition).

Collected texts.

Magical practices (and design) as tools for experiencing the world in a different way.

Magical practices (and design) as tools for experiencing the world in a different way.

An exploration of how design has evolved in interaction with popular and material culture, drawing inspiration from technology as well as magic and the occult.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

A comprehensive study of the multifaceted practice of Argentine artist Edgardo Antonio Vigo (1928–1997)—sculptor, printmaker, poet, mail artist, performance artist, typographer, designer, etc.—focusing on his publishing activities in the 1960s and 1970s, set against an extremely repressive political backdrop marked by instability, coups d’état, and violence.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

Azimuts devotes issue 62 to the questions that the fake poses to forms of visibility, whether in the field of art or not.

A book at the intersection of vernacular photography, archival material, and contemporary art, in which Marine Armandin transforms a collection of anonymous images into a unique work of art. By assembling photographs found on online resale platforms and creating new combinations, she brings forth unexpected narratives imbued with a very special kind of poetry.