The first monograph devoted to the entire multidisciplinary and unclassifiable body of work of French poet, writer, musician, and director F.J. Ossang, spanning more than half a century.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

What are AIs doing to us, and what can we do to them?

An exploration of the encounter, in the early 1960s, between the controversial—yet now world-renowned—writer Yukio Mishima (1925–1970) and Tatsumi Hijikata's (1928–1986) Dance of Darkness (Ankoku butō). This paradoxical connection remains little known and is rarely mentioned in the chronologies and biographies of this turbulent man of letters.

An investigation into social and political assembly and how urban infrastructure can support pluralism, social resilience, and democracy.

Essays from e-flux journal examines how moving images circulate, form political imagination, position subjects, and operate as instruments of knowledge and evidence.

A comprehensive study of the impact of the life sciences—primarily botany—and their expansion in the 19th century on the thought and work of Gustave Moreau.

A groundbreaking study of the broader impact of the various theories of colour psychology on visual cultures at the turn of the 20th century.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

An insect theory of media to understand our media devices and our technological modernity.

How art and cultural institutions can resist, critique, and build alternatives to the intersecting crises of racial capitalism, imperialism, neofascism and neoliberal authoritarianism.

What do artists do that is different, where do they speak from, and what impact do they have beyond the exhibition wall?

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

In this essai, architect Jean-Patrice Calori offers us a remarkable display of curiosity and the ability to draw connections. He approaches the history of his discipline, not as an endless sea, but rather as material that can be manipulated, appropriated, reshaped and interpreted: he transforms history into the raw material of a project, into a living substance.

Charles Esche traces twenty-five years spent inside European art institutions to ask what lies beyond their limits, and where the search begins again.

A complete overview of New York underground artist Rammellzee (1960–2010).

A novel about the coming-of-age of a gaze.

Structured like a "choose-your-own-adventure" book, Demandez le réel invites readers to choose their own path through forty poems.

The first book to document the evolution of bio art and the aesthetic development of Eduardo Kac, the creator of the "artist's gene" as well as the controversial glow-in-the-dark, genetically engineered rabbit Alba.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

An encounter between dance and visual arts.

A series of film portraits taken in East Harlem by the New York-based street photographer and filmmaker.

The Photograph Looked Back at Me is a series of prose miniatures, each born from an image the author cannot turn away from: a ghostly plant printed in a book about Chernobyl; a miner's face obscured by smoke, hanging in a Kyiv gallery; a picture of Katja Petrowskaja's parents, from an old family album.

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today (new expanded edition).

Collected texts.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

A comprehensive study of the multifaceted practice of Argentine artist Edgardo Antonio Vigo (1928–1997)—sculptor, printmaker, poet, mail artist, performance artist, typographer, designer, etc.—focusing on his publishing activities in the 1960s and 1970s, set against an extremely repressive political backdrop marked by instability, coups d’état, and violence.

This collective publication sheds light on the still little-known history of the relationship between graphic design and research in the humanities and social sciences during the second half of the 20th century, focusing on the Graphic Design Laboratory of Jacques Bertin, a cartography theorist and pioneer of data visualization.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

A book at the intersection of vernacular photography, archival material, and contemporary art, in which Marine Armandin transforms a collection of anonymous images into a unique work of art. By assembling photographs found on online resale platforms and creating new combinations, she brings forth unexpected narratives imbued with a very special kind of poetry.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

This extensive monographic publication offers a comprehensive examination of Rómulo Macció's painting, situating his work within the development of modern and contemporary Latin American art.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

French ceramicist Jacques Monneraud's first monograph, So-Called Reality, covers three years of the artist's practice and focuses on his trompe-l'œil cardboard ceramics.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

A pioneering study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism"—the concept of a unity of matter and spirit—emerged and became increasingly popular among intellectuals, artists and scientists.