A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

A collective exploration of the murky area where practices from sound art, visual arts, performance, digital technologies, science, but also poetry and philosophy intersect in a constantly evolving digital environment, drawing on the cross-disciplinary dynamics and experiments initiated by the international festival ]interstice[ in Caen.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

A genealogy of the modern artist.

An expansive, wide-ranging exploration of the long, little-known prehistory of contemporary media.

An insect theory of media to understand our media devices and our technological modernity.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

A transdisciplinary reevaluation of the dialogical character of humanism.

A study of the affects and effects of Russian narratives and their global dissemination.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

A broad overview of the evolution of the Saudi art scene from the 1950s to the present day.

Launching a series of children's books published by Kaph in Beirut, Saud's Adventure in the Art World recounts the initiatory wanderings of a child lost in a museum.

An artistic and documentary exploration of the transformation of the Swiss Cultural Center building in Paris and the renovation process carried out between 2022 and 2026 by the architectural agencies ASBR (Paris) and Truwant + Rodet + (Basel).

Artists, media theorists, scientists, and science-fiction writers explore the reciprocity between ecology, industry, technology and consumption.

A poetic pathway exploring a series of stories related to the art produced in Brazil since WWII.

Cura. #46 – Soft Power presents artists redefining the geographies of contemporary art. The issue brings together techno-cultural and postcolonial identities, decolonial futures, speculative imaginaries, and narratives rooted in memory, home, and history.

Special issue on performance and sound art.

A hybrid project combining research, archival work, and creation, dedicated to Brazilian Candomblé—a possession cult that arrived in the country with the slave trade and reflects the beliefs and rituals of West Africa.

A hybrid project combining research, archival work, and creation, dedicated to Brazilian Candomblé—a possession cult that arrived in the country with the slave trade and reflects the beliefs and rituals of West Africa.

A new approach to the work of Félicien Rops (1833–1898) through a vast collection drawn from a private archive, which more broadly explores the various issues surrounding the very concept of collecting.

A first-of-its-kind documentation of collective cinematic journeys from the MENA region and beyond.

A selection of samples, models, and furniture representative of the work produced by the design studio formed through the collaboration between Bernard Quirot's architecture agency and the designer and cabinetmaker Paul Michelon.

A true artist's book, the catalogue for the Greek Pavilion by Andrea Angelidakis, an exercise in speculative storytelling which offers a non-linear historical account from 1934 (the year the pavilion was built) to today.

The last writings of Antonin Artaud published in English and brought together in one edition for the first time.

Selected texts.

Comprehensive monograph.

Comprehensive monograph.

A transversal and analytical reading of Éric Baudart's entire body of work.

Though published during his lifetime, Walter Benjamin's dream notes and theoretical reflections on dreams are collected here for the first time in a single volume.

A further in-depth insight into the paradoxical universe of Beni Bischof.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

Published on the occasion of Eglė Budvytytė's representation of Lithuania for its national pavilion at the 61st Venice Biennale, this book offers an overview of the artist’s interdisciplinary practice.

A new monograph on the Italian artist Chiara Camoni, published in conjunction with her exhibition at the Italian Pavilion of the 61st Venice Biennale.

Two Thousand Years of Non-Urban History revisits the founding principles of architectural and landscape discourse in the Arabian Peninsula. The publication explores instances of pre-oil planning, ranging from desert kites to fish traps and water channels, upending the toolset for thinking through architecture's relationship to its context.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

New expanded edition featuring 75 drawings/watercolors by Sigismond de Vajay.

Retrospective monograph.

An important collection of poems by Jimmie Durham (1940–2021).

First reference monograph.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

A personal reflection on fragmentation, language, and place.

The first reader of essays devoted to the work of the renowned artist and media pioneer Lynn Hershman Leeson.

The Swiss artist and writer studies a place at beetle height.

First monograph on the Swedish artist.

Shot in the privacy of their bedrooms, Londoners—couples, friends, siblings, and roommates—reveal their personalities and their bonds. Sensual, raw, and magnetic, this series is an ode to the English capital and its inhabitants.