various

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

A comprehensive overview of Makiko Furuichi's work, focusing on her special installation for the Musée d'Art Moderne et Contemporain in Les Sables-d'Olonne.

A contemporary artistic reinterpretation of a vanished craft.

The first monographic publication dedicated to Souleymane Keïta (1947-2014), a major figure in Senegalese art.

Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015.

Three pieces spanning free improvisation, noise and extended saxophone technique with Ulrich Krieger, one of the masters of contemporary experimental music.

Berlin-based, Italian-born sound artist Andrea Taeggi introduces his debut release on Hands in the Dark records, an album showcasing six mesmerizing and rhythmically intricate electronic compositions.

A survey of Florence Grundeler's work, structured according to the different media (canvas, paper, steel, installation) that form the pillars of her artistic development, with two essays.

Catalogue of a historical exibition curated by artist Anna Sew Hoy, with support from ICA LA Executive Director Anne Ellegood, Scratching at the Moon presents an intergenerational group of thirteen leading artists in the Asian American community who currently live and work in Los Angeles or have strong ties to the city.

A historicist approach of music genres.

An account of artist Io Burgard's experience in the town of Ugine (archives, concert, residency, exhibition), part fanzine, part punk, part white cube.

The result of a research project revolving around the question of data, headed by artist-photographer Aurélie Pétrel and philosopher Fabien Vallos.

This edition, the fifth volume in the Vues & Données series, includes data from the 2,275 "latent shots" taken by artist Aurélie Pétrel.

This publication documents the organization of fifty-two banquets (2008-2023) as artistic practice and "social sculpture"

The 13th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews with Paul Hirsch, Sébastian Strappazzon, Matthieu Gafsou, Lorenza Longhi, Gabriele Garavaglia, Loucia Carlier.

First vinyl edition of Giuseppe Ielasi's archipelago of animated sound sculptures.

Three texts by Michel Guérin on the notions of ornament and decoration, at the crossroads of theological, anthropological, aesthetic and philosophical considerations.

Unreleased tapes from the 70s and 80s.

An art project articulated around the issue of migration and diasporas from the Global South that sees the Mediterranean transformed into a place of waiting, suspension, and passing away, a solid space of embodying absence.

On their first album since 2017, the Berlin-based trio Denseland (Hanno Leichtmann, David Moss and Hannes Strobl) instead ventures slowly but steadily into unknown territory.

First monograph devoted to the work of the Italian-Senegalese artist Binta Diaw.

A lesbian and queer re-reading of Albertine, a central character in Marcel Proust's In Search of Lost Time. A group show constructed as a portrait of lesbian identity.

The new adventure of the Musée Mobile (a traveling museum aimed at making contemporary art accessible to those who are far from it, from the earliest age, that has been touring France, Europe and Africa since 2011), in partnership with the Centre Pompidou: the first museum truck dedicated to Europe's largest collection of modern and contemporary art, designed by architect Isabel Hérault and artist Krijn de Koning, travelling to various regions and villages.

This monograph presents the visual language inseparable from the higly influential sound project of Sam McKinlay, pioneer of the "harsh noise wall" with the multidisciplinary entity The Rita.

Gérard Berréby looks back at the first publishing experience of the man who was to become the director of Allia publishing house: the decision, in the early 1980s, to produce a pirate edition of Aragon's book—at the time opposed to any reprinting—, an unprecedented gesture that provoked numerous reactions in the literary world, and raised a number of questions linked to appropriation and self-publishing.

Klára Hosnedlová; Duval Timothy & Grace Wales Bonner; Diane Severin Nguyen; Rebecca Ackroyd & Kyla McDonald; Dozie Kanu & Precious Okoyomon; Zeinab Saleh & Gea Politi; Gina Fischli; Barbara Kruger; Gino Attwood & Caroline Elbaor; Gray Wielebinski & Philomena Epps; Motoko Ishibashi & Cassidy George; Stella Zhong; Sophie Jung; APERTO '93...

A record of outsider music (sound objects and voices) made by patients at Le Havre psychiatric hospital, accompanied by Aude Romary on cello and Nosfell.

Script is the second book of artist J.J. Zana and a continuation of the series started with Cycles. Composed of fragments, it gathers eleven sections—with a central part telling about his experiments with drugs.

An exploration of the multifaceted nature of time through the artworks of seven artists, encompassing different artistic approaches and investigations, ranging from the transformation of objects and their meanings over time and history, to the current role of artificial intelligence in the creation of images and its relationship with the visual arts, as well as the geopolitical tensions of the present day.

Between an artist's book and a art publication, Greyzones is an attempt to grasp the scope and width of the work of artist duo Inge Nabuurs and Erwin van Doorn.

The second installment in the Dongola Architecture Series, dedicated to the great voices of contemporary architecture in the Arab culture, delves into the life and work of the distinguished Syrian architect and architecture historian Nasser Rabbat.

The first book dedicated exclusively to the female protagonists of Latin American electronic music.

Two previously unpublished interviews with Jim Dine, about his performances in New York City in the early 1960s, an important period in his career that the artist has so far rarely discussed.

A music drama performed in the Hebbel Theatre Berlin in 1994—a key work from Sven-Åke Johansson & Alexander von Schlippenbach.

A unique 90s Berlin underground artefact by Kunstkopf.

A conceptual punk re-enactment by The Curators.

The musician and visual artist's new album, somewhere between folk and experimental music.

Two previously unreleased collages for magnetic tape, both realized at the Studio di Fonologia Muisicale RAI in Milan. These pieces are precious testimonials to Aldo Clementi's intense and ongoing interest in electronic music in the 1960s.

The remastered anniversary reissue of the guitarist's first solo album, released in 1974, accompanied by a new album made by Fred Frith in similar conditions, celebrating the fifty years that separate them.

Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file.

FasFari is composed of short vocal emissions that deal with a form of speech before the act of saying, sound particles that invoke meaning without ever fully unfolding it, and barely suggest a body and a biographical identity.

Over a period of more than ten years, Pascal Goblot undertook a performance based on Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even, the first stage of which involved making as exact a reproduction of The Large Glass as possible. This book is the pictorial account of that reconstitution.

A collective publication resulting from a research project led by Sophie Orlando and Katrin Ströbel that takes as its starting point the way in which current geopolitical, economic and social changes induce a renewal and adjustment of artistic strategies, by investing, in an intersectional perspective, contextual thinking and feminist, queer and postcolonial thinking in an artistic and conceptual way.

Le meilleur système is a hybrid and meta text. At once a poetic collection and a critical reader, nourished by references to genre literature, it explores the narrator's dissociative affects and her experience of racial passing.

A new literary work by Marc-Antoine K. Phaneuf, Mauvaises herbes is an alphabetical list of undesirable plants, a poetic lexicon of Quebec flora, where composite and colorful terms accumulate in an incessant enumeration.

A cinephilic, emotional and memorial journey: page after page of cinema tickets—exhumed from the past, preserved until now and published here for tomorrow—retrace fragments of artist Marie-Douce St-Jacques' cinephilic itinerary, and tell the story of a discreet struggle against oblivion and indifference.