various

New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.

An essay on the new challenges facing exhibition curators.

Two works recorded 14 years apart, registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages.

Four excerpts from a duo concert by Arthur Clees (drums) and Jan Jelinek (live electronics).

Two monumental pieces for flutes and additional voices.

Edited by artist Sille Storihl, The Stonewall Nation engages the archival remains of a gay colony that a group of gay men wanted to establish in Alpine County in Northern California in the early 1970s.

Lucy Railton trusts in the nuance of her own creative instincts on an intensely modern, quietly radical second for Modern Love.

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

An in-depth exploration of the work and destiny of Ana Mendieta (1948-1985), with numerous illustrations and previously unpublished contributions.

An overview of Agnès Varda's work, from her films to her visual works: collages, video art, installations and photographs (especially those made in Portugal in the 1950s).

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

Basse saison combines photographs taken by the artist mainly during the winter of 2020, while staying in her native region, La Grande Motte in southern France.

A novel of anticipation anchored in queer ecologies, a frenetic odyssey interwoven with songs and short poems, mixing the genres of feminist science fiction, young adult literature, space-opera and marvelous fable.

Monograph.

Over five hours of video and audio documenting the three-day Intermedia event organized by Fluxus artist Eric Andersen in 1996, involving parachute jumps, helicopters, mountain climbing, live sheep and over 100 singers walking on water.

A work engaging with the materiality of sound, the essence of cloth, and the symbiosis of the machine and handmade by transposing weaving draft notation into graphic scores and rhythmic sequencing.

First monograph in French: from Rod Stewart to the Industrial Revolution, Art is Magic collates all of acclaimed artist Jeremy Deller's cultural touchstones into one lovingly curated volume, balancing these artistic inspirations with examples of Deller's visionary work.

Recital presents As Above, So Below, a new album from French multi-instrumentalist Delphine Dora, centered around mystic piano and voice recordings.

A long narrative poem punctuated by 12x2 drawings, a montage of statements and notations in which a poetess (fat and old) keeps a kind of diary in which the destruction of the private body is articulated to that of the social body.

A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.

Isabelle Albuquerque, Isa Genzken, Aria Dean, Bri Williams, Cole Lu, Dominique White, Mimosa Echard, Isabelle Andriessen, Jordan Strafer...

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

Thomas Köner's eighth album, originally released in 2002, pressed on vinyl for the first time, including a 12 minute bonus track.

Thomas Köner's eighth album, originally released in 2002, including a 12 minute bonus track.

An art book by musician and artist Loren Connors, exploring his pictural practice.

A large book-object of scores by artist and composer Philip Corner, including a numbered art print and a supplemental audio download which features recordings of many scores from the book, played on a variety of instruments by 10 musicians (limited edition of 100 hand-numbered copies).

The second album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner, originally released in 1983 on their own imprint, Papier Maché, full of meandering guitar, technically tighter and more refined, and with a more ominous tone, than the debut Silence & Wisdom.

An indispensable introduction to the wonderfully moving and expressive parlour music of Dominique Lawalrée (1954-2019).

For its fall issue, Flash Art looks at how artists navigate and draw upon the creative industry known as "fashion".

Second pressing of Recital's vinyl edition from 2015, perhaps the most approachable and beautiful in all of Loren Connors' catalog.

2022 reissue of Fennesz's beautiful 4th solo album, originally released in 2008.

Pauline Oliveros' first solo recording, available on LP for the first time since it was originally released in 1982.

The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.

The first in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

A collective reflection on the imperatives of sustainability and reversibility to which architecture must respond today, in connection with contemporary societal and environmental issues.