In an age characterised by the increasing dematerialisation of cultural production and transmission, Database, Network, Interface explores architecture's historical role in representing and organising information and knowledge.

Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.

Machines & Fictions is a monograph on the work of Spanish artist Félix Luque Sánchez over the last twelve years, in collaboration with fellow artists Damien Gernay and Íñigo Bilbao. The book includes texts by leading scholars, curators, and art critics who discuss Félix Luque Sánchez's artistic projects.

Bernard Chambaz, Bertrand Dezoteux and David Redon review the complex history of the construction of the Guiana Space Center, the French space launch base in Kourou, in the 1960s.

Catalogue / artist's book with twenty-one colour illustrations of German artist Maximilian Kirmse's paintings, as well as several drawings.

The complete Ceremonies (2013-2020) by Béatrice Balcou, testing our visual and experiential approach to artworks, confronting us with the basic status of material objects before actually revealing their identity.

décal'âge is a manuscript, reproduced here in facsimile, between intimate writings, working reflections, and diaries of thought. We find in it Claude Rutault's style, his familiarity with literature, the meditative density of his daily reflection.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

Marcel Alocco's Events, some poem-scores to be performed in a real or imaginary space.

Algorithm as material and writing.

This album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.

A sensual and abstract album by the Finnish composer Marja Ahti, one of the most interesting electroacoustic musicians our time.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

The collaboration of two American greats: master of metafiction Robert Coover and graphic legend Art Spiegelman.

Reference monograph: a selection of 320 works, 30 texts and interviews, 150 archive photographs.

An intimate portrait of the psychoanalyst Roland Gori, of his thought and his fights against the commodification of health, education and culture.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

First monograph on artist and photographer Aurélie Pétrel.

The Louvre invites itself to Reunion Island: a dialogue between the collections of the island's five museums and those of the Department of Graphic Arts.

First monograph on artist and photographer Aurélie Pétrel.

Drawings and paintings.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

A rereading of the prematurely interrupted work of the Franco-Israeli artist Absalon (1964-1993) through the notions of body, performance and illness, detaching him from the architectural and post-minimal field in which he has often been included, proposing new interpretations via a selection of works by other artists of his generation and a network of conceptual and formal affinities.

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

Artist's book.

An ongoing series of figurative oil-on-canvas paintings by Swiss-born London-based artist Mathis Gasser, decontextualizing in the same gesture characters of the popular culture and figures of the history of the art.

First monograph of the French-Swiss artist Delphine Renault, presented by a critical essay by Karine Tissot.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

Five rare pieces from the minimalist "rhythmic drone" period of the early 1980s of the ensemble founded by Paul Panhuysen, Remko Scha and Jan van Riet, reissued for the first time.

A posthumous duo LP featuring text and music by Conrad Schnitzler, music by Wolfgang Seidel, and artwork by Matt Howarth.

A series of essays and visual contributions critically reflecting on the questions of hospitality safety, security and care.

An in-depth research project by Elena Mazzi in dialogue with the Mapuche spiritual leader, silversmith and activist, Mauro Millán and Argentinean artist, Eduardo Molinari, about the cultural resistance of the Mapuche people to neo-colonialism in Chile.

Published on the occasion of Cyprus' participation at the 17th Architecture Biennale in Venice, Anachoresis: Upon Inhabiting Distances gathers a collection of texts and visual material from a multidisciplinary group of Cypriot and international practitioners, including architects and designers, curators and writers, sound and movement artists.

Momentography of a failurebrings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city.

A collection of texts by the artist and quotations through which Jaana Laakkonen develops reflections on her own practice and on the challenges of her work.

A search for the founding narratives of graphic design and typography (as there were such narratives in antiquity about art, painting, and sculpture) among Atlantist type designers of the 1930s, starting with the American typographer Beatrice Warde.

A counter-plunge into the thousands of annotated books in the personal library of the painter Jean-Luc Poivret.

An experimental and phonetic poetic adventure, a literary rhizome.