This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.

A photographic attempt to capture the elusive nature of the Californian landscape.

This exhibition catalogue dedicated to Croatian artist Ivan Picelj provides a much needed closer look at the international neo-avantgardes of programmed art, taking a critically systematic approach to the investigation currently underway.

A swan song for Vienna's drinking dens.

Andreas Tschersich's photographic portraits of peripheral areas around the globe capture the uniformity of these transitional spaces that form the hidden face of urbanity.

This artist's book presents a series of polaroids taken from inside a moving car's trunk portraying a dream-like sunbathed Los Angeles landscape, or indeed, an image that is now firmly imprinted in the collective imagination—asphalt, cars and palm trees silhouetted against expansive skies.

Caroline Sury's latest work: a series of phantasmagoric shadows cut out of black paper in a very refined mirror game.

Retrospective monograph on all Beckman's video works since the 1970s.

This reader is the result of a series of public events, performances, and workshops which examined performative patterns and subvertive power in comedic and cartoonist practices.

Theatrical rendition of an experimental international symposium centered around the topic of “presence” in arts, humanities and social sciences at Cabaret Voltaire.

A reader examining the curatorial approaches of New Institutionalism—which emerged in the 1990s to reshape the art institution into a more democratic and egalitarian public sphere.

A significant intervention into recent debates on the place of literature and writing in the context of contemporary art. Featuring essays on the highs and lows of the conceptual turn in poetics, avant-garde literary genealogies, and monographic pieces on Paul B. Preciado, Chris Kraus, and Pierre Guyotat, among others, Brutalist Readings explores the radical histories of writing, as well as its potential now.

This book centers around the apple as an art object and as a case study in biodiversity under threat.

Bringing together their shared and ongoing engagement with artistic practices from Latin America, Jens Hoffmann and Pablo León de la Barra have assembled one of the most significant contemporary survey's of recent art from the region.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

Helge Mooshammer and Peter Mörtenböck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's “crowd economy.”

A series of interviews with contemporary poets to understand a practice which seems today more incongruous than ever.

An acoustic-phonetic approach of book's corporeality in 38 tracks.

Alexandre St-Onge pragmatically captures the ungraspable and hermetic sounds that emerge through the creative process.

This catalogue brings together all support materials from Frac Franche-Comté's collective exhibition “Légende*” which focuses on the building of narratives and paratextuality in contemporary art. An “Erratum” brochure to be published at the exhibition's closure will complete this edition.

Addressing fifteen years—from 1999 to 2014—of André Guedes's artistic practice, this monograph also proves to be the medium of a reflexion on anthological exhibitions.

This catalogue examines the role of the Museion Bolzano in the urban environment of Bolzano city in Italy by looking back at the museum's history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. These are joined by a number of major historical works that have inspired the exhibition throughout its conception and helped our understanding of museographic history.

Poet Harry Burke recounts an extreme and barely legal experiment led by artist Raphael Hefti in a mountain village in Switzerland in 2008 (artist's book).

Uniting the artist with two scholars of the Medieval Mediterranean, John Lansdowne and Christopher MacEvitt, this volume illustrates the movement of objects, images, people and places between Palestine and Italy.

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

New monograph.

A manual for public art projects in Zurich.

Documenting Ian Cheng's latest “live simulations”—virtual living ecosystems in autonomous evolution—this monograph engages in a dialogue between art, new technologies and neurosciences.

One of Matt Mullican's central and most consequential inventions, the so-called “Rubbings,” are a kind of “frottages,” a technique the artist uses to produce specific pictures. The book presents a catalogue of the Rubbings on canvas from 1984 to 2015. It comprises around 500 works, documented by images and catalogue entries (the book also contains an essay by Dieter Schwarz).

A notebook illustrated with photographs documenting an installation project inspired by relationships built by the artist with the local people from French region the Camargue between July 2013 and December 2015.

The birth and life of video art.

In specially commissioned essays, as well as interviews, archival material, and new texts by the artist, this first monograph addresses the in-depth investigation of Plender's research and artwork into educational models and their relation to social organization.

This catalogue documents the eponymous double exhibition examining the ambivalent notions of transparency and opacity in the globalized world and their reflection in the work of contemporary artists.

A kaleidoscopic collection of excerpts on music and instruments.

Dominique Pasqualini addresses his singular thoughts on photography and the impossibility of its exposure.

First major publication to contextualize feminist artist Bernstein's vast oeuvre within the history of art, feminism, and the American socio-political climate of the late-20th century.

A manual / first monograph on Lara Favaretto's works comprising iconographic documentation and complementary essays by critics and specialists.

A deconstructed overview offering the widest selection of Jodice's works ever presented: more than twenty years of eclectic art—alternating between photography, videos and installations.

First monograph.

Catalogue of Vezzoli's double project at Museion: as guest curator, presenting an exhibition of the Museion collection, and as artist, with the first complete retrospective of his sculptural work.

Nik Emch and Laurent Goei teamed up to form Minimetal back in 1994 and have been making sound-performances ever since. The publication contains 13 hours of their music, videos and 307 photographs—a collection gathered together in this photobook.

This catalogue / artist's book interconnects disciplines to reflect upon the complex role of scent as a fluid vector of identity, myth and memory, post-evolutionary science, body-synthesis, capitalism, power and branding.

An interactive catalogue in the form of a map with replicas of the works exhibited by the artist at Turin's Palazzo Madama.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

Homeschooling (parental education) is at the center of the performance and video work by Angela Marzullo, who, in analyzing critical texts from the '60s and '70s, recreates them involving her two daughters as protagonists. The publication presents a decade of Marzullo's works, highlighting the evocative value and content of images and text.

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.

This catalogue documents Charlemagne Palestine's eponymous solo exhibition, including his early video works, sculptures, paintings, installations, and sound scores.

Amateur is the first comprehensive publication about Wendelien van Oldenborgh's moving image works, and their accompanying installations.