Shirana Shahbazi's photo-project Tehran North is a subjective road movie captured from a car driving through the Iranian capital at night, offering a black and white kaleidoscopic vision of Tehran's urban landscape (artist's book).

Luxembourg underground: this artist's book offers a vertical journey through the city's subsoil structure.

The catalogue raisonné of the artist's books published by Bernard Villers's publishing house Le Nouveau Remorqueur (2003-2015).

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

To celebrate their 25th anniversary, artists performing at the Café Bad Bonn in Fribourg were asked to put their songs on paper. The results proved as diverse as their musical styles and personalities, including everything from sheet music and lyrics with guitar tabs to photos and drawings (with Arto Lindsay, Will Oldham, Wire, Maja Ratkje, Timber Timbre, Thurston Moore, Herman Dune, Panda Bear, Flaming Lips, Suzanne Vega...).

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

This publication explores the painting practice of New York-based, Italian-born artist Matteo Callegari.

Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

The emergence of the new digital technologies and social media has transformed the very concept of the mass gathering. The present volume brings together a collection of studies that analyze this transformation and seize the opportunity to reevaluate the cultural and medial historiography of the masses.

Philosopher and feminist writer Rada Iveković examines the current refugee crisis in Europe, and call for the reception of the migrants.

Art Basel's 2015 official annual publication.

A series of paintings by Swiss artist Emil Michael Klein.

Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Dorothy Iannone tells her Fluxus Story in a Berlin recording from 1979.

Part four in the Selten Gehörte Musik reissue series, with a recording by Günter Brus, Hermann Nitsch, Dieter Roth, and Gerhard Rühm originally published as a 3LP-Box by Hansjörg Mayer in 1975. Apart from the group session this edition also includes a duo piano session by Dieter Roth and Hermann Nitsch recorded in Stuttgart in November 1975.

The publishing project Ennesima interprets and investigates the multiple, extensive thematic content covered in the eponymous curatorial project of seven exhibitions spanning over fifty years of contemporary art in Italy, since the beginning of the sixties to the present day.

For nearly thirty years, Elio Montanari has been photographing artists at work—either producing or installing their artworks in the context of major exhibitions and international events. The photographs reproduced within this publication capture with full spontaneity the working process involving artists, assistants, curators and peers.

The second volume in Gabriel Saloman's “Movement Building” series, continuing the release of original compositions commissioned for contemporary dance works.

A photographic documentation from a field research on folk athletic contests in male rural Finland in the beginning of the 20th century.

The colorful and impertinent hijacking of a luxurious big size Taschen book celebrating Queen Elizabeth's jubilee.

A photographic portrait of Kampala's bustling nightlife.

The genesis and documentation of a video and mapping project on the detrimental effects of foreign authorities' actions in past and present Mexico.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. Entrée en matière gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

This catalogue compiles individual collections from artists and considers the act of collecting as a portrait of its collector and also as an artistic method—as a process rather than an end result.

This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

With this volume, Shahryar Nashat recalls the life and death of an iconic art object—a green dodecahedron called La Shape—operating in many of the artist's works since 2011.

Barthélémy Toguo's address to the African Ministers of Culture for a better recognition of art and African artists on the Continent.

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

This publication is a continuation of Gabriel Sierra's site-specific installation project at the Renaissance Society in 2015. The book expands on and further examines the topics and ideas of the exhibition, that of the relation between the body and its spatio-temporal framework.

A series of paintings reproduced on different scales as if to emphasize the random dynamics and impenetrability at the core of the artist's pictorial practice.

This monographic catalogue collects the visuals of works focusing on the relationship between the activities of the intelligence agencies and magic practices during the Cold War era.

Location Scout is an artist's book by Emanuel Röhss conceived as part of a 2015 project that addresses the interrelation between the Ennis House built by architect Frank Lloyd Wright in Los Angeles in 1924 and the Hollywood film industry in particular and the production of pop culture at large.

This publication showcases a selection of photographs taken by the artist, over a year-long period, in second-hand shops, flea markets, antique stores and auction houses in Berlin.

Ziad Antar experiments forms, colors and light with his lensless camera, during a long journey searching for the cities where mythology was born. At the core of his work is the questioning of the foundations of photography, through the destructuration of this art (monograph edited in collaboration with Hans Ulrich Obrist).

The new impact of corporations on both the state and the market as the new paradigm of neoliberalism.

Elisabeth Bronfen gives a clever analysis on one of the most influential show of the 21th century, arguing that, beyond the retro-revival, Mad Men builds a comment on the state of the US nation and on the mirage of the American Dream.

The role of infrastructure and logistics in today's art scene

Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.

The eponymous duo's monograph explore desire in the context of our post industrial, post human society, between globalisation and sustainable development, in this “glocalisation” that produces new objects, new temptations and new perversions.