A 48 pages book of drawings by Costes, with all the lyrics of the 10 songs that are on the accompanying CD.

A panorama of Albania's contemporary art scene.

Long awaited new opus by Le Dernier Cri mastermind. Evil and degenerated interpretation of Jap B movie posters in this oversized book.

A critical and visual testimony about a cultural and artistic exchange project between the two cities of Quebec and Bangkok.

Investigating the complex and ever-changing story of Italian fashion from 1945 to 1968 through a contemporary lens, this catalogue offers a symphonic account of the many creative components that continue to interact and shape the success and enormous appeal of the “Made in Italy” brand.

A rich and diverse panorama of football gestures selected from newspapers' photographs dating from 1990 to 2010. The aesthetic classification of these gestures opens to wider reflections on sport as choreography and artistic performance.

In the last of the wild lands: an exploration of the world's least hospitable territories which have made and still make human settlement difficult or impossible. The study is conducted by means of three work tools: a Glossary, an Atlas and a travel guide.

The follow-up of Jérôme Bertin 's autobiographical enterprise: the life of an outcast in the margins of society.

The Florentine mannerist painter Jacopo da Pontormo, who was busy producing a series of frescoes for the choir of the San Lorenzo basilica in Florence, holds from 1554 to 1556 a strikingly remarkable diary.

A review of three commissioned works executed by artist Nicolas Floc'h in isolated communities in Santiago, Chile, Rennes, and Tours, France, as part of the New Patrons program.

All posters produced by M/M (Paris) for CDDB-Théâtre de Lorient since 1996, with comments by Eric Vigner, Bénédicte Vigner, and Mathias Augustyniak (edition completed with a photographic booklet and the theater's 20th anniversary programming).

Following an invitation by an organization in Ardèche, Denicolai & Provoost conceived a temporary and contextual project around issues of ownership and use of the natural landscape. By migrating their project to Paris, they extended its history into the urban realm. This book documents the Parisian stage.

An account of the 21st edition of the CSAV—Artists Research Laboratory—a workshop for young artists held every year at the Fondazione Antonio Ratti, Como, with invited artists Yvonne Rainer and Andrea Kleine.

This volume presents the results of the Resò International Art Exchange program which seeks to comprehend the role and influence of evolving geography and residency on artistic practice.

The first extensive survey catalogue of Zaccagnini & Lagomarsino, a selection of works from 2001 to 2015 especially displayed by artist Luca Frei and which reflects the two artists' transnational ideals.

With Marie and William, Alex Cecchetti attempts to transpose the performative gesture in the space of the book.

Artist's book / exhibition index.

Bruce McLean plays the Drawing Room Confessions.

This book documents the eponymous work by British artist Patrick Staff a film installation exploring queer intergenerational relationships negotiated through historical materials. The film combines footage shot at the gay icon Tom of Finland's Foundation in Los Angeles with choreographic sequences shot within a specially constructed set.

The first fifteen years of Patrick Tuttofuoco's career in 16 written portraits.

Artist Marc Horowitz has photographed each page of an art catalogue by Phillips, the famous auction house in New York, having placed on the pages the residues of junk food: an irreverent work staging the encounter between art and consumption (artist's book).

With Collective Memory, Mustapha Akrim appropriates one of the most pervasive and widely circulated media of official postcolonial visual culture, the Moroccan dirham. At stake here is how visual representation affects political representation and vice versa.

An unpublished novel by one of the great figures of Land art.

In over 40 years, Sue Williams' art has continuously explored and challenged the fantasies of feminism, sexuality, gender, and culture. This first comprehensive monograph dedicated to the American artist follows her work from the early 1980s to her most recent paintings.

The publication addresses performative artistic strategies as a lived practice of resistance in Latin American countries such as Argentina, Brazil, and Chile.

These three thin volumes feature drawings by legendary illustrator Tomi Ungerer selected from his sixties sketchbooks. In the likes of fabulists, Ungerer portrays the animal kingdom (elephants, whales, kangaroos and a handful of camels) to satirize with humour the manners of his contemporaries.

What would an exhibition be like if we changed the environment from the gallery, museum, or Kunsthalle, to that of the cinema? (a project by Mathieu Copeland, with Chantal Akerman, Peter Downsbrough, Liam Gillick, John Giorno, Philippe Grandrieux, Isidore Isou, Philippe-Alain Michaud, Meredith Monk, Lee Ranaldo, Susan Stenger, Alan Vega, Jacques Villeglé, Lawrence Weiner, Apichatpong Weerasethakul...).

Le Jardin hospitalier documents Jyll Bradley's eponymous site-specific artwork produced in April 2015 under the auspices of the Fondation de France's New Patrons program, at Hospital Roger Salengro in Lille, France. The artist has transformed a 100m long, window-less corridor into an immersive installation—a promenade—with black-lit photographs, literary texts and tactile sculptural elements

The small opera created by Nicolas Murer for Lili Reynaud-Dewar's installation presented at the 2014 Venice Biennale, sung by Lili Reynaud-Dewar, Nicolas Murer and the choir of HEAD, Geneva.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

German photographer Heinz Peter Knes offers a new photographic perspective on the furnishing of the CAPC museum of contemporary art in Bordeaux, one of the famous interior designer Andrée Putman's most accomplished projects and a milestone in the history of design.

Artist's book.

Datumo! recounts a quantification experiment lead by Julien Prévieux and based on the gazes of an audience watching artworks.

A collaboration between visual artist Myriam Mechita and musician Leonard de Leonard.

Appearing after the Reader, this second volume covering the 8th Momentum Nordic Biennial features images from all artists participating in the exhibition, both in the pages of the publication and via a memory stick, incorporated in the spine.

Alexandre da Cunha plays the Drawing Room Confessions.

The first monograph detailing the work of Belgian artist Leon Vranken, this book presents the most significant and complex projects of a practice now spanning over fifteen years, and is accompanied by three essays that address the many facets of his meticulously constructed works.

Artist's book in two volume.

A collection of essays and interviews on the issue of curatorship in contemporary art with Pierre Restany, Zoran Kržišnik, Harald Szeemann, Daniel Buren, Charles Esche and Walter Benjamin.

Nantes-based artist Mathias Delplanque combines a variety of instruments (guitar, bass, melodica, kora, synths…) with live electronic treatment to create a series of eight melancholic pieces which gives prominence to chance and accident.

Nantes-based artist Mathias Delplanque combines a variety of instruments (guitar, bass, melodica, kora, synths…) with live electronic treatment to create a series of eight melancholic pieces which gives prominence to chance and accident.

The duo's second recording in the “Mind Travels” Series: Petitgrand's sumptuous melodies meet Geins't Naït's hypnotic industrial collages to form a listening experience both immersive and singular.

The duo's second recording in the “Mind Travels” Series: Petitgrand's sumptuous melodies meet Geins't Naït's hypnotic industrial collages to form a listening experience both immersive and singular.

The many representations of the Self and the Other in Africa, the Indian Ocean, Asia and Europe, through a selection of artists' portraits and self-portraits (exhibition catalogue based on Frac Reunion's collection).

Four pieces based on drum/cymbal + synthesizer recordings by Mads Emil Nielsen.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.

First monograph.

Armleder's new series of works inspired by large scale anatomical models from the 19th & 20th centuries.