The 2015-2016 edition of contemporary art's directory & referential book Art Diary, released by Flash Art Books, celebrating its 40 years with a new design and new editorial content. Updated every year with more than a thousand new addresses, this Who's Who lists essential information about the main actors in the field of art (over 50,000 entries).

A poem of sheer brutality on the corporal incarnation of the language.

A professional portrait of the writer.

The story of an iconic work by Claude Rutault.

A facsimile edition of the first ever monograph dedicated to Marcel Duchamp and originally published in 1959. A complete introduction to his works and personality as well as a reflection on the artist's role in modern society. Graphic design by Marcel Duchamp. With texts by Duchamp, André Breton & Henri-Pierre Roché. Featuring a bibliography and a catalogue raisonné.

Sylvie Fleury's chromatic and esoteric works from the 2000's are presented together for the first time with her classic pieces from the 1990's in this reference monograph. It thus offers readers a new way to register Fleury's contribution to the art of the last decades.

Taking its cue from the aftermath of the events of the Egyptian Revolution in 2011, these five essays contemplate the language's role in moments of dramatic change, and ask how to find meaning for artistic practices in these transformative conditions.

How did an urban apparatus put in the service of authoritarian power became the place of its undoing: the roundabout revolutions, from South Korea to recent Arab Spring.

Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of ceramist and drawer Anne Brugni.

Collected amateur photographs tell with a wistful eye the magical heyday of Motor sports from the sixties until the eighties.

A provocative interrogation of race and identity in contemporary Italy envisioned by visual artists, scholars and writers from Africa, Europe and the United States exploring new forms of subjectivity and agency shaped by history, immigration and integration, the legacy of colonialism and persistent stereotypes (a project curated by Lyle Ashton Harris, Robert Storr and Peter Benson Miller).

The text published in Villa is a risograph printed transcript of a heretofore unpublished manuscript by Emilio Villa, written around 1962 and addressed to the painter Mario Schifano. The publication remains faithful to the original document and thus there have been no spelling or language corrections.

Collection of poems following the tale of a Queen who meets with her evil Doppelgänger in the form of an Angel.

The Laban system of Kinetography: a handbook (first volume).

The Laban system of Kinetography: a handbook (second volume).

The Laban system of Kinetography: a handbook (third volume).

This publication explores the basic principles and applications of Rudolf Benesh's dance notation system.

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.

This monographic publication delivers an in-depth exploration of Moon & Jeon's collaborative project “News from Nowhere” premised on a postapocalyptic scenario: humanity has been almost entirely wiped out and is forced to reconsider long-held convictions that may no longer be tenable.

Based on Brancusi's photographic archives, this publication reflects on the sculptor's influence on Minimalism and installation.

An artist's book based on excerpts and quotes from Matthieu Laurette's interviews, randomly arranged.

An artist's book based on excerpts and quotes from Matthieu Laurette's interviews, randomly arranged, with an original artwork signed by the artist.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.

This trilingual publication dedicated to the Polish artist and theorist deceased in 2014 emphasize his essential contribution to action art by gathering previously unpublished articles from his friends and colleagues in the contemporary art world. The authors recount his ideas, career and influence. Photos, reproductions of the artist's original articles and a DVD all serve to enrich this publication.

Artist's book.

Proposals for an ecology of diagnosis.

Reference monograph dedicated to Marc-Antoine Fehr's paintings whose strangeness recall the absurd universes of Beckett and Kafka.

A comprehensive monograph covering Nannucci's whole career and presenting a selection of his major projects.

This new monograph gathers 42 images documenting 3 years of photographs taken between 2011 and 2014 during the Purim holiday in the neighbourhood of Stamford Hill, London.

In this catalogue, Charles Mayton interrogates the techniques, vocabulary and conventions of painting, exploring the essence of the table.

Labics: Structures covers an installation of 50 architectural models realized by the studio Labics between 2014 and 2015.

Alex Hubbard's first comprehensive monograph, Eat Your Friends is also an artist's book.

Filip Markiewicz presents a mental image of Luxembourg combined with a reflection on contemporary identity (exhibition catalogue for the Luxemburg Pavilion at the 56th Venice Biennale).

The guide of the video and digital art collection.

An historical study on the legitimation process of drawing in contemporary art and curatorial practices.

An historical study on the legitimation process of drawing in contemporary art and curatorial practices.

The reader of the 8th Momentum Nordic Biennial which explores tunnel vision as a cultural and artistic condition.

This artist's book by Elisabetta Benassi is a faithful reproduction of an original pamphlet by Mark Twain.

The first live recording of the duo formed by Gerome Nox (sound) and Black Sifichi (spoken words and texts).

The Four Seasons Forever is the catalogue of Sam Falls' one year show which presents 13 sun-printed photograms of vinyls on colored textiles exhibited in a dramatic stage-like atmosphere, with parts of Vivaldi's masterpiece playing according to the season (artist's book, the first in a series published in limited editions by Flash Art).

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

A series of short visual stories designed with refinement by Japanese artist Koyama, whose subtle's pencil stroke, narrative use of geometric forms and application to render textures contributed to build a most fascinating artist's book.

A novel on German artist and writer Unica Zürn, a close friend of the surrealist movement and Hans Bellmer's lover.

A tale on the search for an ancestral relic that has the power to annihilate the universe. At the crossroads of an adventure novel, a science-fiction narrative, and a punk story.

This broadsheet publication documents and extends the investigations initiated during the first edition of Screamscape, an informal international institute of creation and research on screaming.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

The second volume of Sculpture Unlimited looks at the influence of new technologies on the practice of sculpture.

Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice.