Artist's book featuring a selection of photographic archive from the European Organization for Nuclear Research: without the context of the archive or explanatory legends, the content becomes abstract and hypothetical, and plays with the representational capacity of the image and with the reception of information.

A complete survey of performance arts between Canada, Cuba, Noway, Philippines, and Poland.

This artist book is composed of the observations, texts and images that Durham collected during a Venetian stay, pointing out the complex relationship between the tourism industries, the stories of local workers and Venice's history.

A facsimile edition of a fanzine originally published in 1977. It gathers sculptures and fluxus' objects from Laurence Whitfield.

Last Words is a dual-input device: a book associated with a sound piece built from the last statements of all inmates executed in Texas since the resumption of executions on December 7, 1982.

Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.

A glossy and luxurious exhibition catalogue including an illustration board with 24 bittersweet photographs.

Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.

The first monograph dedicated to Fortino's performances and videos takes the form of a 160 pages volume which constitutes a synthesis of the work and research conducted by the artist at ESAAA art school, Annecy, and beyond.

This artist's book features the research notes of a video work based on a sign language interpretation by a deaf performer of a Geneva College Orchestra's live performance.

First monograph: thirty-four watercolors summarizing Lionel Renck's three years research at ESAAA art school.

An historical-critical recontextualization of the artist's figure with an important tool of documentation on his work from 1973 to 1979.

Drawing from a namesake installation, No More Sleep No More engages in a reflexion on the chronopolitics of sleep under neoliberalism.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

An unconventional autobiography based on the American artist's sales catalogue of personal belongings on eBay.

Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.

Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.

The last volume of the journal of political activist Jann-Marc Rouillan after his prison release.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

Katja Eydel's photographic body of work.

Catalogue.

Reference monograph.

The third issue in the Poetic Series takes its title Fear of Language from the work of emerging Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from Eileen Myles's forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij.

At the same time an artist's book and a brief historical investigation, Thomas Huber's The Shop Sign reports the birth of a painting, relates the fate of another one, and questions the art market, the transit of works of art and the links between artists, dealers and collectors, all the while Huber plays with interpictoriality the way others would use intertextuality.

Artist's book.

First monograph.

A both ambivalent and poetic narrative written by Canadian author and artist Simon Brown.

The photography book Kracauer. Photographic Archive is a collection of previously unpublished photographic material from the estate of the sociologist, philosopher, journalist and film and photograph theorist Siegfried Kracauer.

A survey of the Scottish painter's most recent body of work.

Based on a travelling exhibition, this small monograph includes an essay by Alex Farquharson, a conversation with Adam Szymczyk, and an essay by Harry Burke.

A collaborative artist's book with Véronique Verstraete and eight associated authors.

A film by Gilles Coudert that takes a close look at Ange Leccia's work, interweaving the exploration of Leccia's exhibition “Logical Song” (2013) at the MAC/VAL – Val-de-Marne Contemporary Art Museum with perspectives from a series of interviews (with 3 films by the artist).

Catalogue.

Reference monograph.

First monograph.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

This LP edition is an attempt at collecting various elements of Hans Rudolf Zeller's work. All recordings have been made within the last 10 years, yet many of the underlying concepts date back to the 1960s or 1970s.

Artist's book based on a complex project linking Vernasca, Ethiopia and Jamaica according to two points of view, placing certain critical moments in Italy's colonial history in relation to the symbolism of Rastafarian tradition.

Marc Brunier-Mestas' engravings portray a dark universe where death lurks on each scenes. Skeletons lead a macabre dance in a gloomy yet erotic and sometimes jocular atmosphere.

This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.

Peter Hutchinson's writings.

Reference monograph / catalogue raisonné.

New design monograph: the studio's 10th anniversary publication "Out of the Ordinary," lavishly illustrated, elucidates the design philosophy of Studio Wieki Somers.

Comprehensive monograph: a focused look at the artist's graphic work from 1964 to 2004.

A collection of Philipp Keel's works on paper – drawings, watercolors, collages and silkscreen prints (2002-2014).

The tenth volume in the Solution series edited by Ingo Niermann: a speculative novel that accompanies “Friday in Venice,” a transmedia storytelling project about a possible Europe.