Artist's book.

The soundtrack from Chris Marker's Sci-Fi short drama "La Jetée".

Retrospective monograph of the Greek painter Yannis Tsarouchis (1910-1989).

The second volume of the Wattis's annual reader, ​A Series of Open Questions.

Mark Leckey finally presents the soundtrack to his autobiographical allegory 'O' Magic Power of Bleakness', a mind sluicing fantasy/autobiographical narrative inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths, sirens and levitating ambience that sounds like nowt else.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

Reference monograph of Georges Mathieu (1921-2012), a major figure of mid-20th century abstraction, founder of Lyrical Abstraction, inventor of performance art, pioneer of Action Painting, speed and risk, dripping, early inspirer of street art.

A hybrid publication that gathers 18 architecture projects from the student collectives of Roberto Gargiani's Superstudio at the École polytechnique fédérale de Lausanne, 2020–2021, and a series of 13 theoretical, practical and historical reflections on (antagonist) rationalism in architecture.

An album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2, bringing together five sound collages that deal with the consistency of material and its mutability.

In this book, Matthie Wellner and Buero Kofink Schels (architects Simon Jüttner and Sebastian Kofin) unfold the design process of T.I.A. House 1+2, a project they developed and built in the city of Almeria on the southern Spanish coast.

Mesmerising 1992 performance from the Dhrupad master vocalist Amelia Cuni, accompagnied by renowded vina player Gianni Ricchizzi and Helmut Waibl on pakhawaj.

A multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines, some of the most ancient nomadic and hunter gathering cultures. A sonic exorcism filled with ancestral frequencies, haunted ghosts, and other animistic spirits from the Pinatubo forests, going from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract.

A series of failed, rejected, or unused animals from Rop van Mierlo's archive; the reserve bench animals.

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

A documentary and speculative publication on a genealogy of political, social, ecological and identity-based struggles in the Brittany region and the West of France, from the 1960s to the Zone to Defend of today, based on numerous documents and films made by filmmakers and collectives.

The portfolio of the exhibition at the Jeu de Paume: a panorama of the visual inventions of the photographic avant-gardes, in the heart of MoMA's modern photography collection.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

The catalog of the third edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme, questioning the role of virality in today's society (with Fanette Mellier, the Iranian studio Kargah, Michel Le Petit Didier, Michiel Schuurman...).

The first artist monograph featuring the work of Swiss-Guinean artist Namsa Leuba.

A new set of sculptures created by Daniel Arsham from the vast collection of molds produced by the Ateliers d'Art du RMN - Grand Palais.

The masterpieces of classical antiquity revisited by Daniel Arsham: pursuing his fictitious archaeological approach, the American artist offers through his reappropriation of the Venus de Milo or Michelangelo's Moses a reflection on our relationship to time.

Yann Gourdon's new album (hurdy-gurdy) continues his exploration of places and their history through sound.

An album created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by—and dedicated to—the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serge Modular analog synthesizer.

The debut full-length resulting from the collaboration between composer/producer Britton Powell and two Berlin-based artists, the British composer/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S), who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary's Electric Studio in Brooklyn, New York.

The exhibition catalogue for the Château d'Oiron presents more than 170 artworks from the collection of Antoine de Galbert, placed in such a way as to dialogue with the permanent collection of contemporary art Curios & Mirabilia, assembled by Jean-Hubert Martin in 1993.

A crazed narrative of entasy, a free-fall plunge into the vortex of digital introspection and poetic-cum-militant blackness.

You Got to Get In to Get Out. The Never-ending Sound Continuum is one of the elements that integrate an homonymous curatorial research project that takes place at La Casa Encendida (Madrid) based on the vision of techno as a cultural, social, historical and material entity by curators Sonia Fernández Pan and Carolina Jiménez.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

Remastered edition of Sydney trio Triosk and Jan Jelinek's loop-based jazz project.

The first publication of a lost 1978 text by Peter Gidal—one of the most influential experimental filmmakers ever.

A small selection of Ronan Bouroullec's ballpoint pen drawings.

A small selection of Ronan Bouroullec's recent drawings.

The complete edition of Takashi Homma's acclaimed homage.

The necessary new paradigms to invent in architecture and design in the context of the environmental crises.

Everything Passes Except the Past takes an artistic and discursive approach to coming to grips with a colonial past that remains present in ethnographic museums, public space, and image archives.

Artists, scholars, filmmakers, and writers revisit the films of Danièle Huillet and Jean-Marie Straub.

First volume of a collective publication devoted to the analysis of the party, in all the complexity of its social dimensions and implications.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

Unreleased 25'06 side A track (1979-80) + selected works circa 2000 by a key composer of Belgian electronic music.

A “minimal encyclopedia” for ideas and visions beyond the pandemic, that also contributes to a polyphonic and polysemous vision of contemporary Italian artistic production.

The new collection of drawings by the Portuguese artist.

A polyphonic evocation of the American saxophonist through the testimonies of some forty international musicians.

Electric Brine is a volume of poetry and critical essays by women voices from diverse fields such as literature, geography, media studies, history of life sciences, sociology, and poetics of science and fiction, each of them central to the independent curatorial research entity The World in Which We Occur (TWWWO, 2014-ongoing) and its associated online study group Matter in Flux.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.