Conceived by Sigismond de Vajay, this artist's book combines 70 of his drawings with commissioned essays by Mexican novelist Mario Bellatín, French biologist and glaciology researcher Bruno Jourdain, and geography and biotechnology expert Elizabeth R. Johnson. Together, thanks to their intertwined dialogue around reality, fiction, science, knowledge, and the power of artistic approaches, they express a subjective vision of our changing times.
Vajay's practice emphasizes the systems that govern the planet, irregularities and social differences, power and global control. From a disenchanted perspective, his art oscillates ceaselessly between the human and the machine, the individual and the mass, or between nature and technology. The artist's works have in common a dystopian aesthetic, which allows him to address the condition of contemporary societies in a state of ruin. Through his pencil and watercolor drawings, produced between 2012 and 2017, Vajay explores themes and motifs such as postindustrial landscapes, endangered natural spaces, and lonesome machines, as well as complex human, natural, and architectural organizations. Some drawings are short stories to decipher, while others manage to show, in a single stunning image, the complexity of our times and our future. The authors chosen propose narratives—the adventures of the “Book Man”; “The Amazing Life of a Tiny H2180 Water Molecule”; the “Stories of Life and Warfare Beneath the Skin of the Earth”—which extend and enhance the drawings, thanks to time-travel, alternative realities, and troubling futuristic tales.
Published on the occasion of the eponymous touring exhibition at Xippas Gallery, Paris; Espace d'art contemporain, Porrentruy; and Ecole d'Art Gérard Jacot, Belfort, in 2013 and 2014.
Sigismond de Vajay is a protean artist, curator and publisher, Argentinian, Hungarian and Swiss, born in Paris (1972). He worked in Vevey, Barcelona and New York, where he studied at the SVA. Since 2009 he lives in Buenos Aires. His works include installations, drawings, videos, interventions in the public space and sculptures. In 2002 he moved to Barcelona, where he set up with a collective a platform for contemporary art, KBB (Kültur Büro Barcelona). He develops important projects for galleries, museums and institutions in Switzerland, France, Spain, Chile, Argentina, Venezuela, Germany, Slovenia, Slovakia, Hungary, Romania and Brazil.
His work highlights the systems that govern the planet, irregularities and social differences, power and global control. With a disenchanted look, his art oscillates ceaselessly between the human and the machine, the individual and the mass, or even nature and technology. His productions have in common a dystopian aesthetic with which he describes the condition of contemporary societies in the state of ruin.
