The first monograph of American artist Spencer Lewis.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

A contemplative series of images by Spanish photographer Jorge Perez Ortiz exploring the relationship between the human body, water, and resilience.

American surrealism meets popular culture meets political criticism: Jim Shaw's obsessive series of drawings devoted to Donald Trump.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

This publication looks back on the Studio of the South residency, hosted in Arles by LUMA and Owens and undertaken by 23 international artists between September 2020 and July 2023.

Published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, this book traces the rise of Mohamed Salah, the Egyptian footballer who went from playing on dusty village fields to scoring for the world's biggest clubs.

Published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, this volume explores the creative life of Saloua Raouda Choucair, a pioneering Lebanese artist who challenged norms through geometry, abstraction, and sculpture.

This volume traces the history and the political, cultural, and artistic legacy of the Mamluk Sultanate (1250–1517), one of the great powers of the medieval world, known both for its formidable military force and its flourishing artistic production.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Conceived during a period of rapid and often unchecked technological development, this issue of Afterall aims at reconsidering and expanding our understanding of what 'technology' is.

The best of 2025: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

A mapping of the international landscape of technological archives.

The 2026 wall calendar designed by Studio Manuel Raeder featuring contributions by Martha Hellion, Andreas Sell, Álvaro Urbano & Petrit Halilaj, Heinz Peter Knes, Anna M. Szaflarski, Pablo Schlumberger, Nick Mauss, Cosima zu Knyphausen, Ieva Epnere, Shirin Sabahi, Yoshie Sugito, and Mariana Castillo Deball.

The "doing" in art and design research.

Three years of exploring avenues opened up by eco-design: from physical environments to imaginary ones, from a focus on resilient uses to new collective narratives (box set containing the three volumes S'attacher, 2023, Produire, 2024, and Prendre soin, 2025).

Focusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and/or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.

How the right wing is ruining culture, part II; in Sicily, humanitarian flotillas bound for Gaza are on the US Army's radar; Alice Diop and the Black Venus; Iraqi singer Sajda Obeid unites the country; theater according to Sylvain Creuzevault; the British left reveals fascism...

An interdisciplinary and critical examination of the role of hope in contemporary art and activism.

An anthropological-acoustic study of the aftermath of war.

Maria Clara Araújo dos Passos examines the interplay of education, identity, and liberation in Brazil's travesti community.

First monograph.

First monograph.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

Donald Judd's formative years and recognition in the Low Countries and Europe between 1965 and 1971.

A collection of poems by artist Tiziana La Melia.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

German artist Leila Orth deals with the question of what places of remembrance there are and can be.

An artist's book composed of six loose A3 sheets, folded in half and assembled at random, which can be taken apart and framed, and which together form an anthology of Sam Porritt's drawings of the last twenty years.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

The first issue in a collection of typographic specimens, each inviting a designer to create a fictional story around one of their typefaces, this volume is by Grégoire Romanet, who has repurposed 18th-century Texas Cattle Brand symbols to create a typeface.

Comprehensive documentation of the Italian artist's latest works, in which he playfully explores the theme of light.

An artist's book composed of fragments of texts from different eras and contexts—literary, science fiction, philosophical, scientific—all centered on the theme of the subterranean.

A series of pencil drawings by Japanese artist Emi Ueoka depicting youth in their everyday urban environment.

A monumental retrospective spanning over 1,000 pages of the Chinese artist's creative practice from 1996 to 2025, organizing his thirty-year journey into six chapters, each covering a five-year period.

Coloring Book II by Dr. Lakra is the second book published by the artist in collaboration with BOM DIA BOA TARDE BOA NOITE.

In this moving story, published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, young readers follow Mahmoud Darwish, the celebrated Palestinian poet whose words became a voice for the displaced.

This volume traces the history and the political, cultural, and artistic legacy of the Mamluk Sultanate (1250–1517), one of the great powers of the medieval world, known both for its formidable military force and its flourishing artistic production.

Centered on the Al Ahsa region, one of the world's oldest and largest oases, Maghras: A Farm for Experimentation (accompanying the inaugural Saudi Pavilion at the 24th Triennale di Milano, marking Saudi Arabia's first participation in this global architecture and design platform) reimagines the farm as a site of collective inquiry, where environmental change, cultural memory, and community practices converge.

A story by Ariella Aïsha Azoulay about traditional crafts and the power of community, in an illustrated children's book in two complementary parts, French and Arabic.

This collection proposes instituting as a potentially critical methodology in curating, art making and organizing as an unsettling process that produces forms and structures.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

A dive into the fascinating and enigmatic pictorial universe of the Chinese artist who assembles poultry and Buddhas in hyperrealistic and surrealistic narratives tinged with dark humor.

The other side of images in cinema, between phenomenology, art history, literature and ecology.

Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, The Dip signals a subtle yet significant shift in the Berlin-based artist and composer Thomas Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements.

First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn towards participation, experience, and the whole of human relations. Over twenty years after its original release, Relational Aesthetics has been updated with a new translation by Denyse Beaulieu and a new foreword by the author.