Sexuality as a properly philosophical problem of psychoanalysis.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This third issue proposes an immersion into the young years of artist Nicole Eisenman in New York in the 1980s.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

A transdisciplinary history of exhibitions.

Joëlle Léandre (double bass, voice) and Alexandra Grimal (saxophones, voice) compose, improvise and underline the freedom of musical creation.

A series of drawings considered the starting point of the artist's mature work.

A new series of photographic works by Shirana Shahbazi.

Zurich-based photographers Peter Gaechter and Bettina Clahsen document hairstyles from Switzerland's upscale salons, tracing hairstyle trends from the 1970s to the 1990s. The book collects their photographs along with texts by Bettina Clahsen and Swiss art historian and journalist Joerg Scheller.

First monograph.

This catalog accompanies Zineb Sedira's exhibition at the Jeu de Paume, covering a period from 1998 to the present, and mediums as diverse as video, film, installation and photography.

An exceptional live performance in which the legendary avant-garde jazz singer pays tribute to Cecil Taylor, Billie Holiday and Ornette Coleman.

An exceptional live performance in which the legendary avant-garde jazz singer pays tribute to Cecil Taylor, Billie Holiday and Ornette Coleman.

Unpublished Dennis Hopper: new light on the 1960s and the actor's unique transit through American history.

The ToiletMartin PaperParr wall calendar 2020 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

An idiosyncratic investigation of curatorial practice.

In Design by Accident, Alexandra Midal declares the autonomy of design—in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present (new edition).

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Focusing on the American South, Andrew Moore's "Blue Alabama" depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

New monograph.

Anniversary special issue: a return on 25 years of reviews.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.

Bringing together an important body of work produced between 1970 and the present, this publication analyzes historical and current issues of feminisms by proposing crossed perspectives on the field of art history and its oft-interrogated construction.

The catalogue of the Italian Pavilion at the 58th Venice Biennale investigates and develops the theme chosen by the curator Milovan Farronato for the exhibition: the labyrinth.

The portfolio of the exhibition at the Jeu de Paume – Château de Tours.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

An eclectic musical journey through Latin American experimentalism.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Surveying the causes championed by feminists in the post-internet era.

Black Zone Magick Chant is the newest moniker from French psych-drone artist Maxime Primault, who debuts on Shelter Press. Consisting of three longform compositions borne from what Primault describes as “a couple of very intense periods, in altered states of consciousness”, Voyage Sacrifice incorporates slowly unfurling drone, murky ambient passages and the reverb-heavy sounds of bells and pitch-shifted vocals.

Recording of a duo that used to perform only once a year at the Plouc festival in Fillols (France), with Pascal Comelade at the piano and toy-piano and the comic artist Alex Barbier singing, in drag, female realist songs from the 1920s.

An album of the electronic music duo whose pieces are composed to be played on the big mechanical organs of the Café des Orgues in Herzeele (Flanders).

Comprehensive documentation of the Portuguese artist's sculptural "Forests", including two interviews.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

This publication brings together the communications material issued at Furkart, an ephemeral art laboratory opened every summer at the Furka Pass in the Swiss Alps between 1983 and 1996. These ephemera edited by Furkart founder Marc Hostettler are printed actual size and provide a chronological account of this unique adventure.

Retrospective monograph, 2007-2018.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

Alessandra Eramo's solo album Tracing South is a sonic enchantment through the use of extended vocal techniques, analog electronics and her hypnotic field recording of bagpipe (zampogna) during the Carnival rites in Southern Italy.