Naturalis Historia is the result of an ambitious multimedia research on the history of nature. Taking an encyclopedic approach, artist Pauline Julier explores several nature stories appealing to the arts and sciences to create this vast narrative. The 504-page edition includes a rich iconography, original texts as well as interviews with Philippe Descola and Bruno Latour.

Struggle Artist by Justin Meyers, the Minneapolis-based composer, artist, and head of the Sympathy Ltd. label, expresses the incompatibility of neoliberalism and non-commercial artistic practice through melancholic sonorities and the meticulous narrativity of the synth-based compositions.

What roles and functions does type play in design? How does it relate to the meanings of type inherited from other knowledge disciplines?

A tiny notebook of fantastic and phantasmagorical drawings, in red ink mixed with blue.

This publication examines the place of Egyptian Modernist painter Hamed Abdalla in transnational modern art history. Mobilizing the personal archives and library of the artist, Arabecedaire reflects on Abdalla's journeys and influences, bringing to light a vast and rich body of material which guided his painting practice.

Wheels gives a special overview of Olivier Mosset's career through the prism of his fascination for motorcycle and motor vehicles and their influence on his artistic practice.

The articles and interviews included in this issue of Flash Art address the human body, introducing artistic practices that push the body's physical boundaries and challenge its codified representations. With Luchita Hurtado; special feature on artist, educator, curator, and cultural theorist Ian White; Lena Henke; Martti Kalliala on the transformational experience of Burning Man; Eric N. Mack; Stefano Sollima; Bruce Nauman by Isabelle Graw (on Flash Art March-April 1993); exhibitions reviews.

Reference monograph.

A collection of literary texts by contemporary writer Benoît Toqué. It brings together texts written between 2014 and 2017, and either performed at public readings or created during workshops.

This publication is a literary narrative depicting radio projects on the landscape of French rivers Somme and Rance. It includes notes documenting the making of the two radio plays, as well as a series of 23 photographs.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

An ABC book with which the pianist, composer and improviser recounts his experience of sound (with the score and recording on CD of an unpublished piece).

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.

Field recordings and electromagnetic improvisations by French artist Pali Meursault.

Au dernier voile de sable is a long erotic and learned poem which evoques the Greek mythology, written by Jean-Philippe Pernot, photographer and film maker, illustrated by the reproductions of black and white surrealistic prints which represents bodies and bones, made by the young artist Hélène Damville.

An educational investigation on the relationship between design and techniques.

Gender, voice, language, and identity in musical composition and experimental sound practices.

Place.Labour.Capital. takes a reflective look at the first years of the NTU Centre for Contemporary Art Singapore, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies.

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

Facsimile reprinting of Danne & Blackburn's graphics standards manual for the redesign of NASA's visual identity in 1975.

The life and work of Winnaretta Singer, Princesse de Polignac, who used her fortune to support the arts, sciences and literature, and whose influence on the musical and literary worlds of the twentieth century is immeasurable.

The Dynamics of archiving: interviews with Ernesto Oroza, Simone Osthoff, Red conceptualismos del Sur, Manu Luksch, Daniel G. Andujar; Anna Ramos presents the Memorabilia podcast series; the British Library's 140 years of recorded sound vs. Centuries of Sounds; Rhizome's Net Art Anthology; reports on ISEA 2017 – “Biocreation and Peace”, Lisbon's xCoAx 2017…

This issue investigates the sinuous folds of the body. Featuring: special section on George Henry Longly; Mathieu Copeland on anti-bodies within the body of art institutions; interview with Barbara Hammer, Lou Dallas, Manuel Solano; Eleanor Antin on Carving; Ellen Blumenstein & Kate Cooper; Ben Vickers in conversation with Kenric McDowell on human and machine; visual essay by Marianna Simnett; Donna Huanca in conversation with Venus Lau; ektor garcia; 25 questions with Eric N. Mack… and including Clubbing fanzine's first issue!

The life and times of jazz multi-instrumentalist Eric Dolphy, free-jazz precursor and collaborator of Charles Mingus, John Coltrane, and Ornette Coleman.

The second volume of the publication dedicated to the French underground musical scene.

Original motion picture soundtrack by Schneider TM for Omer Fast's acclaimed first feature film Remainder. A heuristic creative approach characterised the collaboration between Omer Fast and Schneider TM, where music and images beautifully intertwined in a compelling sonic structure.

Inexplicable hours opens on the one hand new ways based on field recordings, static electronics and distant pulsations, and continues on the other hand the exploration of drone and ambient but in a brighter, less aggressive, less tense way, almost reminding sometimes Brian Eno's Obscure series.

Timothy Morton stretches a thread between philosophy and ecology, using the concept of hyperobjects to rethink our approach to global warming.

Some four thousand Polaroids depicting nearly fifteen years in the life of artist and former director of the Lausanne art school, ECAL. This photographic diary offers an intimate and erotic portrait of Keller, from its time in 1970s New York to trips to South America and Europe. With texts by Hans Ulrich Obrist and Stéphanie Moisdon.

This publication investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. It brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

Fiction as Method brings authors into dialogue with artists, technologists, theorists and filmmakers in order to examine the diverse ways in which fiction manifests. The aim is to explore the concept through direct and indirect means, ultimately considering how fictions proliferate, take on flesh and come to act in the world.

This catalogue is the first survey of the art and practice of Art+Positive, a significant affinity group of ACT UP New York during the early years of the AIDS epidemic. The publication presents previously unseen archives featuring artworks, documents, protest ephemera, and meeting notes, as well as commissioned essays and unpublished writings.

In this essay, professor Peter G. Rowe gives an overall description of how new technologies transformed the field of architectural design, addressing issues such as the precision and incompleteness of information, schema theory and heuristics.

The first publication dedicated to the work of fashion illustrator and artist Kelly Beeman. Drawing her inspiration from lookbooks and catwalk shots, Kelly Beeman creates paintings that plunges the viewer into a fantasy world of rare delicacy, tinted with subtle references to interior design, architecture, music and literature.

brings back to life the forgotten art of window-dressing, through an artistic and intimate portrtait of window-dresser Bob Steffen.

A companion to his previous book, Colour in Contextual Play, Joseph Kosuth's Neon in Contextual Play continues the artist's investigation of the interplay between language and reality, words and objects, color and light. Within these pairings, early neon works by Kosuth interact with those by Arte Povera artists who also used the industrial medium.

An album for children about horror movies and monsters.

Two new musical encounters.

Two new musical encounters.

A critical perspective on Guyton's work.