A hundred black and white portraits of students from ECAL – University of Art and Design Lausanne, made between 2013 and 2016 by photographer and teacher Anoush Abrar.

The life and work of Winnaretta Singer, Princesse de Polignac, who used her fortune to support the arts, sciences and literature, and whose influence on the musical and literary worlds of the twentieth century is immeasurable.

This issue investigates the sinuous folds of the body. Featuring: special section on George Henry Longly; Mathieu Copeland on anti-bodies within the body of art institutions; interview with Barbara Hammer, Lou Dallas, Manuel Solano; Eleanor Antin on Carving; Ellen Blumenstein & Kate Cooper; Ben Vickers in conversation with Kenric McDowell on human and machine; visual essay by Marianna Simnett; Donna Huanca in conversation with Venus Lau; ektor garcia; 25 questions with Eric N. Mack… and including Clubbing fanzine's first issue!

The life and times of jazz multi-instrumentalist Eric Dolphy, free-jazz precursor and collaborator of Charles Mingus, John Coltrane, and Ornette Coleman.

The second volume of the publication dedicated to the French underground musical scene.

Original motion picture soundtrack by Schneider TM for Omer Fast's acclaimed first feature film Remainder. A heuristic creative approach characterised the collaboration between Omer Fast and Schneider TM, where music and images beautifully intertwined in a compelling sonic structure.

Inexplicable hours opens on the one hand new ways based on field recordings, static electronics and distant pulsations, and continues on the other hand the exploration of drone and ambient but in a brighter, less aggressive, less tense way, almost reminding sometimes Brian Eno's Obscure series.

Timothy Morton stretches a thread between philosophy and ecology, using the concept of hyperobjects to rethink our approach to global warming.

Some four thousand Polaroids depicting nearly fifteen years in the life of artist and former director of the Lausanne art school, ECAL. This photographic diary offers an intimate and erotic portrait of Keller, from its time in 1970s New York to trips to South America and Europe. With texts by Hans Ulrich Obrist and Stéphanie Moisdon.

This publication investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. It brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

Fiction as Method brings authors into dialogue with artists, technologists, theorists and filmmakers in order to examine the diverse ways in which fiction manifests. The aim is to explore the concept through direct and indirect means, ultimately considering how fictions proliferate, take on flesh and come to act in the world.

Artist Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho.

This catalogue is the first survey of the art and practice of Art+Positive, a significant affinity group of ACT UP New York during the early years of the AIDS epidemic. The publication presents previously unseen archives featuring artworks, documents, protest ephemera, and meeting notes, as well as commissioned essays and unpublished writings.

In this essay, professor Peter G. Rowe gives an overall description of how new technologies transformed the field of architectural design, addressing issues such as the precision and incompleteness of information, schema theory and heuristics.

The first publication dedicated to the work of fashion illustrator and artist Kelly Beeman. Drawing her inspiration from lookbooks and catwalk shots, Kelly Beeman creates paintings that plunges the viewer into a fantasy world of rare delicacy, tinted with subtle references to interior design, architecture, music and literature.

brings back to life the forgotten art of window-dressing, through an artistic and intimate portrtait of window-dresser Bob Steffen.

A companion to his previous book, Colour in Contextual Play, Joseph Kosuth's Neon in Contextual Play continues the artist's investigation of the interplay between language and reality, words and objects, color and light. Within these pairings, early neon works by Kosuth interact with those by Arte Povera artists who also used the industrial medium.

An album for children about horror movies and monsters.

Two new musical encounters.

Two new musical encounters.

A critical perspective on Guyton's work.

First comprehensive monograph dedicated to minimalist pioneer and postcolonial artist Rasheed Araeen. The publication gives an overview of 60 years of career, encompassing Araeen's visual art, writing, editing, and curatorial work. It includes scholarly essays, surveys, and documentation spanning every aspects of the artist's oeuvre, from his early works to his political engagement to today's ongoing Homecoming series.

This publication presents the outcomes of Romana Schmalisch's long-term project, the Mobile Cinema, an itinerant apparatus somewhere between urban model, cinema, and plate camera. The artist constructed the Mobile Cinema and used it to present films created during her travels, mobilizing film extracts and archive material.

The third issue of the erotic journal Féros, featuring Phoebe Clarke, Claire Dantzer, Victor Man, Anthony Pearson, Benoit Platéus, Georges Tony Stoll, Matthew Stone, Phillip Zach...).

An anthology of texts selected from Obrist's contribution to the weekend supplement of the Swiss Tages-Anzeiger newspaper: a survey of contemporary art and cultural world of the 2010s, written in the style of a diary. This publication offers 80 entries written between 2012 and 2017, a series of drawings by British artist David Shrigley, and an index listing the names and places mentioned in the columns.

Kurt Schwitters' Merz Manifesto; AMM by David Grubbs; Daunik Lazro's discography reviewed by Luc Bouquet and... Daunik Lazro; interviews with Anna Tjan from the label Dancing Wayang and Dave Phillips; on Lonely Woman by Ornette Coleman. Plus: some sixty book and record reviews.

Improvised trio featuring sound engineer and Synthi player Jean-Marc Foussat, and father and son Christian and Quentin Rollet. Free music with a wide dynamic range and wild acoustic and electronic spaces.

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

Jérôme Noetinger's first solo album (Revox B77 tape recorder, microphones, radios, Korg MS20 synthesizer, piano, objects): a panorama of his practice on tape recorder.

Reference monograph, lavishly illustrated, with a preface by Philippe Dagen and a long analysis by Xavier-Gilles Néret of Daisuke Ichiba's work (based on unpublished interviews with the artist), placed in the double context in which it emerged, the Japanese and French graphic underground scenes.

Recorded in March 2016, “Actions Soniques” is a meeting of free rock with free impro into an electroacoustic environment with a clear and powerfull voice. This is the last CD from Dominique Répécaud (1955-2016).

Historical pictures, texts, indications about project, list of recorded sounds, full edit plan & manuscript facsimile of the piece achieved by the composer at Deutsche Grammophon studios in 1970 in Hannover, from the recordings dated July 1967 in Vela Luka, Croatia.

Restored manuscript from the composer, historical documentation about the 1971 acousmatic work & genesis.

An essay that extends Ingemo Engström and Gerhard Theuring's movie.

An unpublished talk given by Harun Farocki in 1987 at the event "Films that Think in Images" at the Akademie der Künste, West Berlin. The typescript was found among Farocki's papers after his death.

After the long acclaimed Nova Sodomia opus (Une indécence française), S.E. Otto is back with this oversized book (A3 format) Colossale finesse (Colossal Fineness – The women of cockaigne). Otto pays hereby a thundering tribute to all things fleshy, ample, in a single word: to abundance.

An odyssey into sex, death and terror: the sleaziest and scariest pulp comics ever created.

The first monograph on Riccardo Baruzzi, containing a selection of images of works made from 2010 to the present and writings by Alessandro Rabottini, Davide Ferri and Luca Bertolo. A perfect introduction to the italian artist's practice, which explores the notion of the unfinished and the provisional by way of an aesthetic investigation of drawing through the body of the painting.