Stone Assemblies takes Jumana Manna's major public artwork for Oslo's Government Quarter as its starting point, opening up a collective reflection on the politics of stone, ruination, and dissent.

Silent speeches is a book on the non-compliant force of sound in contemporary art and a career-spanning catalog focusing on the employment of music, songs, and silence in the work of the artist duo Pauline Boudry & Renate Lorenz.

An account of a pilgrimage amid the sacred and the profane through the cemeteries of the Swiss Confederation, to pay tribute to the memory of illustrious figures from the worlds of poetry, literature, religion, painting, fashion, sport, philanthropy, cinema and psychoanalysis.

First monograph.

Fierce Unworking highlights Ko Murobushi's role as an unparalleled pioneer of contemporary paradigms such as body language, the third space or embodied knowledge. Ten years after his death, this volume brings together writings, poems and diary fragments in collaboration with the Ko Murobushi archive in Tokyo, making many of which are available in English for the first time.

Sylvia Sasse explores and analyzes subversive affirmation as a critical practice in different political systems.

A collective photography project that explore the borders between artistic research and scientific investigation, with special reference to the study of dark matter and dark energy.

Through a series of photographs of 1970s American cars created using expired Polaroids, Aurélien Mole pays a dual tribute to both photography and the history of the automobile.

Taking the RAL colour chart as its starting point, Piovenefabi brings together a selection of projects produced by the architecture office over the past ten years.

A collection of critical reflections on the role of digital tools in artistic practices, and on how networks are redefining our sensibilities, our imaginations, and our ways of living together.

A programmatic book for rethinking and implementing montage as a medium in contemporary art.

A collection of sketches and research notes, texts, transcriptions of sound works, and visuals that document Dominique Petitgand's sound work.

Soft Photography examines the role of human emotions in the creation and reception of images produced using generative Artificial Intelligence (AI) or computer-generated imagery (CGI).

An interview conducted on December 18, 1974, with photographer Peter Hujar about an ordinary day in his life, released to the public half a century after it was recorded.

Two sharp accounts by Ana Teixeira Pinto and Abeera Khan on the current ideological shifts and the subsequent forms of violence they produce.

A personal selection of remarkable architectural projects in Belgium.

New monograph.

An immersive journey through the woven metal and linen sculptures created intuitively by the Belgian designer and textile artist.

A monograph centered on a series of recent oil paintings on linen by Calvin Marcus, that depict magnified renderings of the artist's flesh, extending Marcus's investigation of media, process, and the abject in the familiar.

An ambitious publication by the artist duo mountaincutters, offering an in-depth insight into their multidisciplinary practice.

The second volume of the defiinitive reference work on Belgian artist Philippe Van Snick, richly illustrated and featuring in-depth essays, offers a comprehensive overview of the artist's oeuvre, and new insights and discoveries about his work.

A collection of works selected by Ai Weiwei that traces the artist's career, in tribute to his father, the poet Ai Qing, and the Belgian poet Emile Verhaeren.

A dialogue between masterpieces from the collections of the Centre Pompidou, Kanal, and other significant Belgian public and private collections.

Mike Cooper returns to Discrepant with The Dream Island of Birds, a release that blurs the lines between memory, field recording, and reimagined sound.

Música para Plátanos takes its name—and much of its inspiration—from the group's recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.

Moondog's poetic autobiography, finally available.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

An ethnographic wander in the streets of Paris.

Originally developed as the sonic counterpart to an exhibition by visual artist Anastasia Bay, Mæstra Lacrymæ is an opera conceived and directed by Bay and written and composed by multidisciplinary artist Joseph Schiano di Lombo.

Rabasta, the versatile project by Swiss composer and musician Benoît Moreau, draws inspiration—in this quartet configuration—from Pascal Quignard's The Hatred of Music.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Zeynep Öz, this volume explores the relationship between publication and exhibition-making.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Megan Tamati-Quennell, Ihi expands on her curatorial framework, exploring Indigenous knowledge systems, ancestral relationships, and the ways in which contemporary artistic practices carry memory, identity and cultural continuity across time and place.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Alia Swastika, this volume expands on Rossestrata, a curatorial framework named after the Rosetta Stone that explores how feminist perspectives and nonlinear readings of bodies and texts can reshape curatorial and educational practices.

Designed in collaboration with the artist, this monograph provides a comprehensive overview of Benoît Piéron’s work from the late 2000s to the present.

In For I am a Sign, an artist's book for children, Ryan Gander collaborates with his non-verbal son, Baxter, to explore the intersection between verbal and non-verbal language.

A multidisciplinary perspective on illegibility as a cultural phenomenon (new edition).

Philippe Jaffeux explores each letter of the alphabet through experimental poetry, continuing the tradition of the Lettrist movement.

How does artificial intelligence affect the way we represent reality? Is it still photography? By contextualising contemporary uses of photography generated or analysed with the help of artificial intelligence, this book offers a critical reflection on the aesthetic, political and theoretical stakes of these technologies.

An investigation into the repertoire of performative gestures emerging from the work of German artist Ulla von Brandenburg and the practice of her troupe of performers.

An ecological reflection on the radical changes Venice is going through.

Italian photographer Matteo de Mayda continues his investigation into the consequences of Storm Vaia in a new book that grew out of three workshops with writer Cosimo Bizzarri held in the communities hit by the storm eight years ago.

A poetry collection by Venetian anthropologist, filmmaker and writer Elia Romanelli, with drawings by Marzia Migliora.