A journey through the musical avant-garde movements of the 20th century, covering 200 seminal albums.

Two Thousand Years of Non-Urban History revisits the founding principles of architectural and landscape discourse in the Arabian Peninsula. The publication explores instances of pre-oil planning, ranging from desert kites to fish traps and water channels, upending the toolset for thinking through architecture's relationship to its context.

A raw yet tender book of visual poetry that speaks of desire, reinvention, Brussels nights, creatures, wounds, laughter that comes from far away, celebration, the communion of bodies and spirits, friends.

What counts as reality when images can be generated, manipulated, and circulated with unprecedented ease? The Future of Reality asks filmmakers and scholars to respond to a contemporary reality framed and filtered by algorithms and synthetic media.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

A study of the affects and effects of Russian narratives and their global dissemination.

From a seemingly simple comb, the award-winning novelist and playwright Whiti Hereaka creates a mirror work of reverence and beauty.

A poetic essay by Colombian writer Eliana Hernández-Pachón that explores the worlds of ritual, sanctity and abundance.

Of Interest to the General Public is a narration by the Ethiopian writer and photographer Maaza Mengiste inspired by the history of the 1868 Napier expedition and the burning of the palace fortress at Magdala.

Inspired by a walrus-ivory Story Knife from the Arctic region, Mexican writer Cristina Rivera Garza creates a multi-faceted narration.

First monograph.

An exploration of the relationship between art and science through a cross-disciplinary journey featuring some 100 works of art and scientific artifacts by approximately 30 artists, from the Renaissance to the present day.

The first French translation of a selection of twenty writings by Gui Bonsiepe, a leading figure in design.

New monograph.

Erik Verhagen brings together seven artists from both sides of the Atlantic, who offer their perspectives on François Morellet's work, bearing witness to the enduring vitality of his legacy.

Museums of Tears extends Francesco Vezzoli's 2024 exhibition at Museo Correr, Venice, combining historical works and new commissions to explore antiquity, emotion and illusion. Conceived as an artist's book rather than a catalogue, it transforms the museum guide into a hybrid archive and portable museum of memory, beauty and mourning.

Reference monograph.

Kate Carr's new album explores a vertical trajectory through the UK capital, re-imagined from top to bottom in a suite of elegant and mysterious field recordings.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

An original publication bringing together Esther Ferrer's performance scores and a previously unpublished long-form conversation on creation, language, freedom and action.

The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.

The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.

Annotation and contextualisation of works by founding members of the Finnish leftist anti-fascist writers' group "Kiila", that has been active since 1936.

A comprehensive overview of the artistic and conceptual work of Henrike Naumann, one of the most influential voices of her generation, who died at the age of 41 shortly before the opening of her project for the German Pavilion at the 61st Venice Biennale.

An exploration of the role of fashion and clothing in the creation of idealized images of the Other in colonial and postcolonial contexts.

The selected texts from Les Bas-bleus (1877) by Jules Barbey d'Aurevilly allow us to gauge the violence of the misogynistic prejudices that 19th-century women writers had to face in their daring quest to carve out a place for themselves in the literary world, while also rediscovering the sharp style—as delightful as it is venomous—of an important and resolutely "anti-modern" writer of his time.

New expanded edition featuring 75 drawings/watercolors by Sigismond de Vajay.

An artist's book conceived by Jorge Macchi as a return—both literal and conceptual—to the city of Buenos Aires as a field of investigation.

All 693 images in a series created by Luc Delahaye over several years using details from photographs cut out of newspapers, marking a turning point in the evolution of this great photographer's work, which bridges documentary and artistic practices.

First monograph.

Camouflage theorized as an expanded ecological and choreographic tactic.

Painter Merike Estna's new artist book, accompanying the Estonian pavilion at the 61st Venice Biennale.

Following the Italian art collective’s gallery on four wheels.

A photographic narrative centered on a series of performative banquets conceived by Luca Trevisani across France, Switzerland, and Croatia in 2025, unfolding through the activation of a group of stoneware sculptures developed from a research process focused on the Toirano Caves.

Unfolding through accumulation and overprinting, this book focuses on the materiality and the drawings at the heart of Tolia Astakhishvili's practice.

Eight issue of the series Taccuini d'Architettura, dedicated to the architectural office Studio Wok.

A diverse compendium of writing and visual art that addresses pertinent issues found in the work of artist Hiwa K.

A deeply heartfelt and courageous reflection on the challenges and urgencies of listening to oneself.

J. Logan Smilges's essay "Bad Listeners" argues that traditional ideas about "good listening" in feminist and rhetorical theory can exclude neurodivergent and disabled people. Smilges challenges the assumption that ethical, caring, or politically responsible people should always be able and willing to listen. This leads to an important reframing of "bad listening" as an issue of access.

A series of interviews with 20 international artists, primarily electronic musicians and producers (from Laraaji to Plastikman, including Moby, Tricky, Morton Subotnick, Max Richter, Pole, and William Basinski), about the album that changed the course of their career.

An issue of the Clubbing fanzine dedicated to the Times Bar, a venue in Berlin run by the two American artists Calla Henkel and Max Pitegoff, dedicated to the German capital's large community of expatriate artists.

A survey of the French contemporary art scene through an anthology of forty monographic essays.

A broad overview of the contemporary Romanian art scene through a series of conversations with its leading figures.

Mohamed Bourouissa expands an intimate family history into a broader reflection on memory, migration, and the postcolonial condition.