A great Chinese painter, calligrapher, and poet, Fan Zeng conveys the spirit of literati painting in these studies, which draw on classical texts and his own experience with the painting.
Through a dated diary and film photographs, a young woman explores her Algerian and Kabyle roots: a sensitive account of a language that was never passed down, family memory, and personal decolonization.
This first book by Valentin Fleuret presents his 2025's iconographic research among books destined for pulping at the Rennes 2 University Library. Comprising 30 iconographic plates containing more than 200 images, this book follows in the tradition of appropriation while renewing it through the subject it addresses.
A heterodox and uniquely incisive model of ideology critique, Furio Jesi's work offers us a powerful insight into some of the deeper determinants of Western political rationality and its stigmatizing, inferiorizing, and racializing dynamics.
This book offers the first comprehensive overview of Anna Franceschini's practice. Organized around recurring themes, its associative structure reflects her interest in repetition, transformation, and unstable images.
Lydia Ourahmane’s first monograph, documenting a project developed through immersion during a several-month residency in Venice, as part of the 61st Venice Biennale.
Research-based art has become one of the defining genres of the century. Taking the collective Forensic Architecture as a case study, Emily Watlington, senior editor at Art in America, argues against what she sees as the dangerous slippage between artistic research and alternative facts.
A visual travelogue that critically captures the 2025 World Expo on Yumeshima, Japanese for "Island of Dreams," which took place from April to October 2025.
A retrospective of 10 years of graphic and typographic research by Coline Sunier & Charles Mazé during their residency at the Brétigny Art Center, presented as an alphabet book comprising 901 collected letters and symbols.
The second volume of the sdvig series, dedicated to translingual avant-garde writing, brings together the writings of the Ukrainian modernist poet Maik Yohansen from the 1920s and 1930s, translated into English.
The third volume in the "EKES (EarthKeeping EarthShaking)" series, this collective work—a forum for dialogue among artists, curators, and experts in the humanities and environmental sciences—sets out to explore "ecological vitality."
A book that builds on the curatorial work developed by Elvan Zabunyan around the archives and correspondence of Angela Davis, Audre Lorde, and Toni Morrison.
As part of the 7L's Correspondances program, Katrien de Blauwer explored the collection of books and magazines of Karl Lagerfeld's library at 7L, and reinterpreted it through a new series of photomontages in which the images serve as both a reference and a mirror.
A journey through the twists and turns of the history of the hat, via a rich and eclectic collection of images where different styles and eras coexist—from the headgear of Greek laborers to the bell hats of the Roaring Twenties, and from Phrygian caps to modern baseball caps.
The first volume in a series dedicated to the photographic work of Peter Christopherson, co-founder of the highly influential band Coil, documents his work in the working-class neighborhoods of Glasgow in the 1970s.
This book showcases the research work of designer Mathilde Pellé, who explores design through subtraction in a sensitive yet radical way. It brings together a body of documentation and an inventory of prototypes and objects created over the course of a decade.
Dedicated to the study and critique of the WIP (Women in Prison) film genre, this book brings together a body of work spanning pop culture, historiography, activism, and the visual arts to examine representations of female incarceration.
The most comprehensive publication on Ser Serpas' work to date, Loogie traces the first decade of the artist's multidisciplinary practice anti-chronologically, bringing together 650 illustrations alongside newly commissioned texts.
Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.
A companion to Kosovar artist Brilant Milazimi's exhibition for the Republic of Kosovo Pavillion at the 2026 Venice Biennale that reflects on waiting, clenching, sovereignty, perseverance, and teeth.
A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 numbered risograph prints, an 8-page booklet, and a postcard).
The first major poetry collection by Jesse Feinman, a graphic designer known for his work on numerous books and album covers, founder of the photography publishing house Pomegranate Press, and a remarkable poet.
In the staccato, nervous, vivid and even resonant language of the flea markets that Oriol Vilanova frequents, Le prix des choses discusses economics as a flow—that is, the exchange of goods for monetary value.
Two Thousand Years of Non-Urban History revisits the founding principles of architectural and landscape discourse in the Arabian Peninsula. The publication explores instances of pre-oil planning, ranging from desert kites to fish traps and water channels, upending the toolset for thinking through architecture's relationship to its context.
A raw yet tender book of visual poetry that speaks of desire, reinvention, Brussels nights, creatures, wounds, laughter that comes from far away, celebration, the communion of bodies and spirits, friends.
A volume about artistic processes and practices that do not pursue an explicit political or critical agenda, yet nevertheless have a unique potential for intervention.
What counts as reality when images can be generated, manipulated, and circulated with unprecedented ease? The Future of Reality asks filmmakers and scholars to respond to a contemporary reality framed and filtered by algorithms and synthetic media.
The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.
Of Interest to the General Public is a narration by the Ethiopian writer and photographer Maaza Mengiste inspired by the history of the 1868 Napier expedition and the burning of the palace fortress at Magdala.
