Artists, scholars, filmmakers, and writers revisit the films of Danièle Huillet and Jean-Marie Straub.

First volume of a collective publication devoted to the analysis of the party, in all the complexity of its social dimensions and implications.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

A “minimal encyclopedia” for ideas and visions beyond the pandemic, that also contributes to a polyphonic and polysemous vision of contemporary Italian artistic production.

A polyphonic evocation of the American saxophonist through the testimonies of some forty international musicians.

Electric Brine is a volume of poetry and critical essays by women voices from diverse fields such as literature, geography, media studies, history of life sciences, sociology, and poetics of science and fiction, each of them central to the independent curatorial research entity The World in Which We Occur (TWWWO, 2014-ongoing) and its associated online study group Matter in Flux.

An anthology.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

Deluxe boxed set of Graham Lambkin's remastered first four solo records, including an expansive 42-page book with unseen photos and reproductions of artworks as well as essays and anecdotal recollections.

An exquisite corpse (four pieces resulting from a process of musical exchange between Jean-Philippe Gross and Jérôme Noetinger).

How the organization of time structures the creative process and more broadly our relationship to the world.

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

Retrospective monograph.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (new softcover edition).

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

David Shea's The Thousand Buddha Caves explores his deep and continuous interest in the nexus of eastern and western musical forms. The recording charts his life long fascination with the caves and their connection to sound, ritual and Buddhist teachings. The record transposes those interests and is an evocation to the mythologies spinning forth from the caves.

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

Two contrasting pieces by French composer Michèle Bokanowski, recorded a decade apart, which nevertheless demonstrate her unique style.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

169 fundamental free jazzrecords recommended in 180 pages by Maurizio & Roberto Opalio (My Cat Is An Alien) and Philippe Robert, from must-have classics to indispensable curiosities.

This collection presents the first five issues of Everything: reports on the studio of the same name led by Kersten Geers, Fabrizio Ballabio, Jelena Pancevac and Guido Tesio at the Accademia di Architettura in Mendrisio.

The misappropriated notion of care and the paths for its rehabilitation.

An inventory of the research of the designer Samy Rio, which attempts to account for the rich and open process of his work towards a more sustainable design practice.

A comprehensive record of the London-based art collective BANK's notorious project from the late 1990s, a fierce critic of the language elements of the art market.

One of Andrée Putman's latest home designs, from the plans, drawings, and pictures of an amazing apartment in San Sebastián (Basque Country, Spain).

The relationship between art and cybernetics and their intersections in the past and present.

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

10 year anniversary edition of Jefre Cantu-Ledesma's landmark album originally released in 2010 on TYPE records, remastered by Stephan Mathieu.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

A collection of essays and honest conversations with practitioners around collaborative practices, at the intersection of art, education, and activism.

New monograph.

A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist. 

An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

Michel Henritzi's collection of interviews provides a rich portrait of the experimental music scene in Japan.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

Issue dedicated to the iconic Parisian club Les Bains Douches.

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.