Stemming from a Public Art Zurich project, this publication gathers texts and international artists contributions exploring the condition of 21st-century cities in relation with contemporary art.

Reference monograph.

Reference monograph.

This scholarly publication discusses the historical development of the Kunsthalle Bern and its implications for the “localization” of art. It contributes to current research on institutional histories by looking at the many ways in which the Kunsthalle Bern addresses the question of how exhibitionary practices take place.

Nina Garcia, Clark Gable, the music of Jacob Ullmann, the end of musical boundaries by Kasper T. Toeplitz, a text by Jean-Léon Pallandre, interviews with Thomas Bonvalet (Ocelle Mare) and Emmanuel Lalande (PiedNu), chronicles and disc reviews…

The diary of an insomnia.

A visual tour de force (artist's book).

Art Basel's 2017 official annual publication.

The use of the “Other Body” in Performance art and Contemporary Art.

Reference monograph.

J.G. Ballard, Nicolas Ballet, Alexandra Bircken, Jimmy Desana, James Horton, Ana Jotta, Martin Laborde, Jonathan Martin, Sibylle De Laurens, Pascaline Morincôme, Clément Roussier, Catherine Roudé, Marion Scemama, William J. Simmons, Sabrina Tarasoff, Cosey Fanni Tutti, Charles Veyron, David Wojnarowicz.

Through numerous previously unpublished pictures and essays, this publication explores the history of the playground as it was shaped by education, architecture, art, and politics, and pays tribute to the most important figures, many of them forgotten today (second revised and expanded edition).

The current panoply of private initiatives in the museum world.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin. Luxury limited edition, signed, including an original artwork and the sound artwork “Oxymoron Music” on CD.

A tiny notebook of fantastic and phantasmagorical drawings, in red ink mixed with blue.

This issue is about the return of the family in neoliberalism, the influence of the political right on the arts, about #metoo, indie and Édouard Glissant, about young rappers and life in the commune. With Otto Muehl, Sandra Mujinga, Christoph Schlingensief, Anselm Franke, Aria Dean, Yewande Omotoso, Alison Gingeras, Seth Meyers, Liam Gillick, Dean Kissick, Alice Creischer, and many more.

A survey of the eponymous project, which materialized between 2012 and 2017 in different remote places around the world—an annual gathering initiated by artist Angelo Plessas for a community of cultural practitioners concerned with our post-technological life.

A conversation with multidisciplinary artist Virginie Yassef about her work The Veldt, inspired by a play by writer Ray Bradbury. An interview contucted by Julie Pellerin, Mathieu Copeland, and Philippe Quesne.

An artistic, political and collective project by Nicolas Floc'h, based on a principle of participation and co-realization, which points, at different levels, to the multiple relationships between social groups and public institutions that structure and frame them, while also questioning the symbolic or economic value of an artwork.

The second volume of the retrospective catalogue of Le Consortium contemporary art center (1998-2017).

From September 20 to November 8, 2013, the artist wrote and sent to his loved ones, day after day, each page of this intriguing short story, punctuated by the epiphore "frappe dans ses mains" ("clap your hands").

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

A multidisciplinary approach of ecosocial design.

Chantier is a collective project with Pascal Battus on found objects, Bertrand Gauguet on saxophone, and Eric La Casa on microphones. The trio's proposal is to develop a sound practice created on building sites, amongst the machines and the builders. The fourth part of this project was recorded on the building site of the Philharmonie in Paris.

A panorama of the world of do-it-yourself fanzines.

60 original drawings by Lou Doillon in a luxurious notebook.

Exploring the potentialities of virtual reality: with Björk VR experiments; sound and VR; Michel Chion; interviews with Molleindustria, Viktor Timofeev, David Guez, Boštjan Čadež, Naotaka Fujii + Grinder-Man + Evala, WonJik Yang; reports on Temblor – 13 Bienal de Arte Mediales, and Gamerz 13 – Techno-esoteric visions…

Publishing as an alternative artistic practice.

The private and personal side of a painter (first monograph / artist's book).

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

Limited special edition, signed and numbered by the artist with a custom seal. Also included is a card of the 50th and final lifecast self portrait of Edmier made on the exact minute of his 50th birthday and the day of the exhibition opening at Petzel Gallery. Special editions come in a set of 2 books: one first edition copy & one sealed and signed by the artist with the final card.

Issues 10 to 12 of the critical review dedicated to graphic design, around Robert Brownjohn, Klaus Scherübel, Julia Born, Simon Starling et Poster of Girl, Revue Emmanuelle.

16th issue confronts the question of the narrative and the “anecdote”, with an ensemble of textual and visual contributions by artists, historians, scientifics, and writers.

Making Sense reports on ten years of Research in Art and Design at ECAL/University of Art and Design Lausanne. It features a synopsis of research projects and a selection of projects' descriptions, accompanied by conversations on design and artistic research between ECAL professors and leading scholars in these fields.

The cultural public sphere at the digital age.

This publication examines the new paradigms of creation, dissemination and teaching of photography in the digital age. Resulting from a research project by the Master Photography at ECAL/University of Art and Design Lausanne, the publication includes a series of essays and interviews, productions done by the Master's students, together with a selection of representative works.

Box set including a book and a film on DVD dedicated to the Theatergarden Bestiarium exhibition.

DVD gathering the video recordings of two musical performances by Frédéric Acquaviva, in French and English, made at EMS in Stockholm and La Plaque tournante in Berlin.

A piece for mezzo, mouths, skins and Buchla, recorded with mezzo-soprano Loré Lixenberg (vinyl sleeve with a CD inside).

The life and times of jazz multi-instrumentalist Eric Dolphy, free-jazz precursor and collaborator of Charles Mingus, John Coltrane, and Ornette Coleman.

Timothy Morton stretches a thread between philosophy and ecology, using the concept of hyperobjects to rethink our approach to global warming.

The first publication to pay tribute to Ambroise Vollard the Reunionese and to the exceptional gift made to his island in 1947, exhibited at the Léon Dierx museum.

Conceived by Sigismond de Vajay, this artist's book combines 70 of his drawings with commissioned essays by Mexican novelist Mario Bellatín, French biologist and glaciology researcher Bruno Jourdain, and geography and biotechnology expert Elizabeth R. Johnson. Together, thanks to their intertwined dialogue around reality, fiction, science, knowledge, and the power of artistic approaches, they express a subjective vision of our changing times.

This extensive volume spans the drawings of Argentinian artist Guillermo Kuitca from 1971 to 2017. Gathering together for the first time more than 650 works on paper selected from a body of more than 3,000 produced over the course of 40 years, the book lies somewhere between a catalogue raisonné and an artist's book.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this theoretical publication investigates educational processes and what it means to teach and learn fine arts in a city such as Zurich. It also reflects on the field works made by the MFA students in 2017 in Athens, Beirut, and Lesbos.

Composer/organist/musicologist Eva-Maria Houben's most compelling piece to date.

Comparative Studies of Neo-Avant-Gardes in a Bipolar World.